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Pictures Of Dead Crucified Bodies

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Another out of context cropped image from the series above.

"I think she’s dead."

"No I’m not."
 

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This is a nonlethal BDSM crux, but the lady sure does play dead nicely, and she'd make an excellent template for manips.
 

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Krista Kass is or was a bondage model whose "Forest Crux" shoot has been damn near iconic in these parts for a long time. How long? At least as long as Damian’s vintage 2000 manip.

She makes an excellent candidate for this thread, a better one if some artist could do another manip with nails.
 

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Another from the same thread.

"Mother, into thy hands I commend my spirit."
 

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Jastrow posted "All over" yesterday, originally meant for a story in which Nero subjects several young women to appallingly cruel, vile and degrading deaths.

The historical record relates that Nero was very good at this. :eeek::very_hot:
 

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The first render below is an example of Jedakk's Sabina 2.0. The following test renders are templates for the Sabina he used in "Serpent’s Eye." Both versions depict her as fainted, not dead. But like many other entries on this thread, out of context who can tell the difference? :rolleyes:
 

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The first render below is an example of Jedakk's Sabina 2.0. The following test renders are templates for the Sabina he used in "Serpent’s Eye." Both versions depict her as fainted, not dead. But like many other entries on this thread, out of context who can tell the difference? :rolleyes:
...if dodging the cornu she is faking either!!!
 
Busch background is always the best.

If by that you mean trees in the background and not a brand of American beer, you are correct. ;)

Makar and Image Maker can do frantically erotic crux shoots both outdoors and indoors, but the forest does enable my twisted imagination to more easily conjure up a Roman execution circa 1 C.E.

But I rather think studio shots are easier to insert into photomanipulations.
 

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If by that you mean trees in the background and not a brand of American beer, you are correct. ;)

Makar and Image Maker can do frantically erotic crux shoots both outdoors and indoors, but the forest does enable my twisted imagination to more easily conjure up a Roman execution circa 1 C.E.

But I rather think studio shots are easier to insert into photomanipulations.
true...
 
But I rather think studio shots are easier to insert into photomanipulations.
I think many manipulators would tend to agree with you, Apostate and Tree.

A lot depends on the background. If the scene has bright sunlight, the inserted figure must have appropriate bright directional lighting at the correct angle to suit the background. The shadows all have to be thrown in the same direction.

It is certainly easier to insert a figure from the studio into a background which has soft, ambient lighting, because you probably won't have any dense shadows and directional lighting to worry about.

Looking through my own crux manips, I see that I have used two crucified sources of Alice (Makar) and one crucified source from the 'Goddess' series (Rope Erotica.) Otherwise all of my crux girls are composite figures, employing both outdoor and studio sources.

I am mildly surprised to find that my outdoor sources outnumber the studio ones by 3 to 1.
But I do like bright, directional sunlight and dense shadows! :D

ivdaea_capta_14z_by_bobnearled_da8lqkd-fullview.jpg


'Ivdaea Capta 14z' (hosted on DeviantArt) - https://www.deviantart.com/bobnearled/art/Ivdaea-Capta-14z-619112893
 
Two by Noble Vulchur. If in the finished sketch she doesn’t look quite dead it’s because she’s not. She's steeling herself for the agonizing push up on the nails to raise herself and breathe.

It’s the preliminary sketch that’s more definitely a consummatum est drawing.
 

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From a set posted earlier today by Messaline, solidly in line with this thread's theme. ;)
 

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I think many manipulators would tend to agree with you, Apostate and Tree.

A lot depends on the background. If the scene has bright sunlight, the inserted figure must have appropriate bright directional lighting at the correct angle to suit the background. The shadows all have to be thrown in the same direction.

It is certainly easier to insert a figure from the studio into a background which has soft, ambient lighting, because you probably won't have any dense shadows and directional lighting to worry about.

Looking through my own crux manips, I see that I have used two crucified sources of Alice (Makar) and one crucified source from the 'Goddess' series (Rope Erotica.) Otherwise all of my crux girls are composite figures, employing both outdoor and studio sources.

I am mildly surprised to find that my outdoor sources outnumber the studio ones by 3 to 1.
But I do like bright, directional sunlight and dense shadows! :D

ivdaea_capta_14z_by_bobnearled_da8lqkd-fullview.jpg


'Ivdaea Capta 14z' (hosted on DeviantArt) - https://www.deviantart.com/bobnearled/art/Ivdaea-Capta-14z-619112893
I believe this is to be my fateful end.
 

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