bobinder
ARTISAN
Wonderful! On the subject of a little adaptation -
'I'm sure she's around here somewhere...'
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Alice Kiss - Crux Legend
- Thread starter bobinder
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'I'm sure she's around here somewhere...'
Repertor
Artifex Imaginum
So close that you don't see her.
That's splendid, Bob!
Repertor
Artifex Imaginum
Never I saw these wonderful pics , Bob! They could be bringing some new idea for a future crucifixion !
I think that face to the cross could be very arousal , but not to a Xcross, rather to a Tcross because I could caress my clit to the wood ; and I dont joke ! Really, it can be sensual ...
I wonder if facing the cross makes the exerience more introverted, more personal. Just you, and your cross. Less to see for the spectators, unfortunately for them.
I don't know. I quite like the view of a girl's bottom.I wonder if facing the cross makes the exerience more introverted, more personal. Just you, and your cross. Less to see for the spectators, unfortunately for them.
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Helios
Executioner
Of course Mila was crucified in this position too. In the video by Makar it always seems to me that this position is the most difficult to endure for Mila.
bobinder
ARTISAN
Thanks for posting these wonderful hi-res images Phlebas.I wonder if facing the cross makes the exerience more introverted, more personal. Just you, and your cross. Less to see for the spectators, unfortunately for them.
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It is easy to see why Jolly was inspired to adapt them for his London manip.
The 3D figure of Kathy looks like the character from 'The Passion of Mary Catherine'.
Are these also by Jastrow?
bobinder
ARTISAN
No problem Heliogabalus, all Makar models (and others) are welcome here. These pictures form a good representative selection from a variety of the sites which feature Alice, including wet, lez, studio and outdoor glamour sets.
At her best, she had a real sense of presence, the ability to convey a mood, and provided some very engaging portraits. Your examples include Alexander Lobanov's 'Drizzle' (Justteensite), Alexey Bessarab's 'Emerald World' (Amour Angels), Valery Anzilov's 'Survivor' (Femjoy) and Rylsky's 'Geffi', 'Domain' and 'DH' (Rylskyart/Met Models/Metart). She appears twice with Freya and once with Yana.
Despite the publication dates being spread over eight years, I believe her modelling career probably lasted only about eighteen months. During this time she posed for a large quantity of beautiful pictures, and I always take great delight in discovering ones I have not seen before.
Thanks for posting.
Being bound to a Whipping Post does give a different,I wonder if facing the cross makes the exerience more introverted, more personal. Just you, and your cross. Less to see for the spectators, unfortunately for them.
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more intimate, relationship between the girl and her hard, merciless 'captor',
compared to 'full frontal' bondage -
I think being crucified facing the Cross could have a similar psychological effect.
I think it's allowable. Bob knows I've talked about Sasha in this thread. It's not totally off topic.
Naraku
Draconarius
It does seem that this position would be very difficult due to the limited amount of leg movement it allows.
She was a bad slave and had a 'time out' in the corner...
bobinder
ARTISAN
Tales From The Hanging Tree - 4 'Barb Moore - Spy'
Tree's last publication is a tour de force in terms of his exploration of emotional themes and in presenting a choice of outcomes almost as bewildering as the reactions of his characters. 'Barb Moore - Spy' features our notorious heroine once again dealing with a variety of perils, and indeed a variety of execution methods. It seems appropriate that she should be represented in a Tree manip, showing the scene preliminary to her crucifixion, by a popular star so firmly associated with the crux theme.
Tree has again used the remarkably defensive image of Alice, which first appeared, representing Barb, in his story, 'Princess Laetitia And Palace Intrigue'. This time, Barb is presented to the crowds who will witness her crucifixion, and Tree has blended the figure of Alice into a background scene derived from the audience at the 2015 Calgary Folk Festival. The result is a powerful contrast between the joyful enthusiasm of the audience and the evident physical and psychological discomfort expressed by the nude figure.
Along with the classic wit of Tree's inimitable style, the story contains profound observations on human nature. But you will have to read it to discover the outcome of events following this scene.
Tree's last publication is a tour de force in terms of his exploration of emotional themes and in presenting a choice of outcomes almost as bewildering as the reactions of his characters. 'Barb Moore - Spy' features our notorious heroine once again dealing with a variety of perils, and indeed a variety of execution methods. It seems appropriate that she should be represented in a Tree manip, showing the scene preliminary to her crucifixion, by a popular star so firmly associated with the crux theme.
Tree has again used the remarkably defensive image of Alice, which first appeared, representing Barb, in his story, 'Princess Laetitia And Palace Intrigue'. This time, Barb is presented to the crowds who will witness her crucifixion, and Tree has blended the figure of Alice into a background scene derived from the audience at the 2015 Calgary Folk Festival. The result is a powerful contrast between the joyful enthusiasm of the audience and the evident physical and psychological discomfort expressed by the nude figure.
Along with the classic wit of Tree's inimitable style, the story contains profound observations on human nature. But you will have to read it to discover the outcome of events following this scene.
It never amazes me how people know both the front image but also the background tapestry!
Thanks for the nice words, Bobinder
T
bobinder
ARTISAN
Members' Birthdays 1
The prevalence of Alice in our 'Members' Birthdays' thread is something for which I have to take some personal responsibility. I started this 'Crux Legend' thread to coincide with Alice's own birthday on 13 May, presenting one of Valery Anzilov's attractive portraits, taken in the early summer of 2007 in the Crimea - definitely one of my favourites.
From the same shoot, Jedakk's birthday prompted the next portrait by Anzilov, taken within sight of Diva Rock and Swan's Rock near Simeiz, on the south coast of the Crimean peninsula, where the Black Sea is overlooked by Gora Koshka (Cat Mountain.)
Wraggs' birthday coincided with the creation of my montage, 'Why Me? - 3', to celebrate the tenth anniversary of 'Alice and Koshka in the Crux Forrest'. Again the foreground portrait is an Anzilov picture, taken near the summit of Gora Koshka. The background images of Alice are well-known Makar pictures, including his own, 'Why Me? - 2' on the right.
Two Alice manipulations derived from pictures by Makar and Anzilov were presented to Damian on his birthday. Jollyrei's manip shows Alice from a Makar image, and Katrina from Orchid Studios. My own manipulation is based on the 1872 Symbolist painting, 'L'Esperance' ('Hope') by Puvis de Chavannes. Here, Alice's body has been reconstructed using pieces of six different Anzilov pictures, again from the Black Sea coastal shoot referred to above.
Imagemaker's birthday was, rightly, an occasion which prompted numerous greetings by members, all keen to express gratitude for his efforts in maintaining the site. Since he is now the only one of us who had the opportunity to meet Alice in person, I felt it was appropriate to present him with a re-manipulated picture from my 'Ivdaea Capta' series. Here the figure of Alice was produced in four sections, again from the Anzilov Crimean coastal series. The re-manipulation blended my original image with a behind-the-scenes view of a Xena crux shoot, in which Renee O' Connor hangs crucified for the cameras.
A manipulation is one thing, but of course, Imagemaker filmed Alice's crucifixion for real.
The prevalence of Alice in our 'Members' Birthdays' thread is something for which I have to take some personal responsibility. I started this 'Crux Legend' thread to coincide with Alice's own birthday on 13 May, presenting one of Valery Anzilov's attractive portraits, taken in the early summer of 2007 in the Crimea - definitely one of my favourites.
From the same shoot, Jedakk's birthday prompted the next portrait by Anzilov, taken within sight of Diva Rock and Swan's Rock near Simeiz, on the south coast of the Crimean peninsula, where the Black Sea is overlooked by Gora Koshka (Cat Mountain.)
Wraggs' birthday coincided with the creation of my montage, 'Why Me? - 3', to celebrate the tenth anniversary of 'Alice and Koshka in the Crux Forrest'. Again the foreground portrait is an Anzilov picture, taken near the summit of Gora Koshka. The background images of Alice are well-known Makar pictures, including his own, 'Why Me? - 2' on the right.
Two Alice manipulations derived from pictures by Makar and Anzilov were presented to Damian on his birthday. Jollyrei's manip shows Alice from a Makar image, and Katrina from Orchid Studios. My own manipulation is based on the 1872 Symbolist painting, 'L'Esperance' ('Hope') by Puvis de Chavannes. Here, Alice's body has been reconstructed using pieces of six different Anzilov pictures, again from the Black Sea coastal shoot referred to above.
Imagemaker's birthday was, rightly, an occasion which prompted numerous greetings by members, all keen to express gratitude for his efforts in maintaining the site. Since he is now the only one of us who had the opportunity to meet Alice in person, I felt it was appropriate to present him with a re-manipulated picture from my 'Ivdaea Capta' series. Here the figure of Alice was produced in four sections, again from the Anzilov Crimean coastal series. The re-manipulation blended my original image with a behind-the-scenes view of a Xena crux shoot, in which Renee O' Connor hangs crucified for the cameras.
A manipulation is one thing, but of course, Imagemaker filmed Alice's crucifixion for real.
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bobinder
ARTISAN
I'll let you into a secret - when you download your manip, and let the mouse hover over its thumbnail in your download folder, it says, 'The audience enjoys the music at the 2015 Calgary Folk Fest.'
bobinder
ARTISAN
Members' Birthdays 2
For Tree's birthday, I hoped to provide an image representing the Hill of 100 Crosses, made famous in his stories. My 'Ivdaea Capta 9' manipulation already contained three images of Alice, all composite figures derived from Valery Anzilov's 2007 Crimean shoots for Femjoy. I added a fourth figure from 'Ivdaea Capta 13' and duplicated all the figures until I had a re-manipulation containing twenty crucified Alices. I was still eighty short of the total, but you get the idea...
My latest Alice crux manip coincided with Phlebas' birthday. The source this time is an 'Amour Angels' picture by Peter Chupurov, from which I altered the position of the left arm and increased the facial tension.
On my own birthday, it seemed entirely appropriate that Eulalia should present me with my manipulation showing herself as Lulie MacAlister in her highly acclaimed story, 'Lassie-Hunting in the Northern Forest'. My inspiration for using Alice here was partly based on the pun, 'Mac-Alice-ter' - and I just love the sight of a kilted linkie!
Since Jollyrei invited me to make a birthday wish, I could not resist responding with the following pensive portrait of Alice by Rylsky from the 'Metart' series entitled, 'Pietra'. Naturally my birthday wish was to celebrate Alice by starting this thread - and so my wish came true!
Dorothy received a birthday greeting from me featuring another Rylsky image from 'Pietra' - one of Alice's most expressive portraits! Madiosi also got the Rylsky treatment for his birthday with a cheerful, albeit wet Alice from 'Metart's 'Drops', and Pia's birthday prompted an appearance from the 'Amour Angels' series, 'Emerald World' by Alexey Bessarab.
I feel confident that Alice will be making further appearances in Members' Birthdays' in the future.
For Tree's birthday, I hoped to provide an image representing the Hill of 100 Crosses, made famous in his stories. My 'Ivdaea Capta 9' manipulation already contained three images of Alice, all composite figures derived from Valery Anzilov's 2007 Crimean shoots for Femjoy. I added a fourth figure from 'Ivdaea Capta 13' and duplicated all the figures until I had a re-manipulation containing twenty crucified Alices. I was still eighty short of the total, but you get the idea...
My latest Alice crux manip coincided with Phlebas' birthday. The source this time is an 'Amour Angels' picture by Peter Chupurov, from which I altered the position of the left arm and increased the facial tension.
On my own birthday, it seemed entirely appropriate that Eulalia should present me with my manipulation showing herself as Lulie MacAlister in her highly acclaimed story, 'Lassie-Hunting in the Northern Forest'. My inspiration for using Alice here was partly based on the pun, 'Mac-Alice-ter' - and I just love the sight of a kilted linkie!
Since Jollyrei invited me to make a birthday wish, I could not resist responding with the following pensive portrait of Alice by Rylsky from the 'Metart' series entitled, 'Pietra'. Naturally my birthday wish was to celebrate Alice by starting this thread - and so my wish came true!
Dorothy received a birthday greeting from me featuring another Rylsky image from 'Pietra' - one of Alice's most expressive portraits! Madiosi also got the Rylsky treatment for his birthday with a cheerful, albeit wet Alice from 'Metart's 'Drops', and Pia's birthday prompted an appearance from the 'Amour Angels' series, 'Emerald World' by Alexey Bessarab.
I feel confident that Alice will be making further appearances in Members' Birthdays' in the future.