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Some Sketches

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At three o’clock a man came to the town’s gate leading a young woman, both cloacked and hooded. It was pitch dark and the door were of course closed but when the man produced a document signed by the maior, the guards quickly removed the bar and opened the gate, and the couple went out.

„This way”, told the man to his comrade, pushing her hard to the right from the path. The stairs were pale and the sky slowly begun to light up, so they were able to walk through the rocky plain with no torch. After some ten minutes they went near some three metres high wooden post and the man ordered her to halt.

„So, lady Daria, you had heard the sentence .”

„Of course. I will be exiled and I cannot bring any possession nor any slave with myself. And you will escort me out of the city grounds to be sure I will not return.”

„You are right. It was an official part of the sentence. Now, as for the unofficial, the high council decided to make sure you will never return.”

„What do you mean?”

„We will go no further. You will stay here forever.”

„Did they order you to kill me!?”

„Exactly”, nodded the man, and produced the knife from under his cloack. The girl covered her face with her hands. Now one can see that her wrists were tied together with a rope. The man cut the rope setting her hands free.

„Take off your clothes”, he ordered.

She looked at him surprised.

„Wouldn’t you simply stab me?”, she asked him frightened.

He laughed.

„No, of course I wouldn't. Didn’t you notice the patibulum and stipes here? Look!”

She looked around and cried with fear seeing the ready wooden beam and nails on the ground.

„But… but the people will see me… and they will recognize me!”

„No one will come closer than two hundred yards”, he clarified. „We are within the borders of the lepers zone. I am myself resistant to leprosy, so I could bring you here, but no other man nor woman will risk entering the zone. And no leper will appear before the sunset, but till the sunset you will be dead. I was ordered to nail you strained and with no support, so you will die with overextension and pain within few hours. Okay, undress quickly, I have no more time for you.”

The warm and beautiful day broke and the chirps of steppe birds filled the air together with the excruciating cries and screams of the condemned woman mercilessly hammered to the wood.

Everything was fine. The Roman Peace continued unrivaled over the country.
 

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60 BC. The caravan travelling from the Ptolemaic Egyptian kingdom territory to the Roman Syria (freshly included into the Empire and still being a restless region) was attacked by few robbers, but the guards were lucky to defend the traders and their commodity. However the caravan was forced to return to the Wadi Arad caravansery in order to left there few wounded Bactrians and buy new camels. They brought bodies of three killed attackers as well to be identified before being buried if only possible. They were lucky again: not only the local authorities could recognize the names of the rascals but they found the slut who spent the last night in the caravansery together with the gang. The woman was interrogated and - though she confessed nothing - immediately crucified as an example near the place of an attempted robbery.
 

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"Centurion, listen to me. We can no longer hide the truth from the citizens..."

"Marcus, I must agree with you, but it is a demand to not tell a single word to the magistrate till the day before the calendae..."

"Yes, of course, my commander, but-"

In an instant Marcus jumped into the thicket of bushes covering the road side and returned quickly, dragging some ugly-looking middle-aged woman in a poor robe and worn sandals.

"Centurion, look, she followed us! She must have heard our talk... She must be a spy!"

"No, officer, I am not a spy, my name is-"

"Who cares what is some slave bitch name!? What were you doing here!?"

"I was waiting here until my lady returns..."

"What is your master's name?"

"Lady Melissa of Argos..."

"Argos!? We are here in Gallia Cisalpina...! Where is your master now!?"

"I don't know, officer, she must be inside the tavern, or maybe on the market...?"

"Highly improbable. No matter. You have heard (or overheard) us talking, and we cannot risk... Marcus, the gallows are very near, let some soldiers to take her and get rid of her quickly."

"Oh, officer, please, have mercy, I am a trustworthy woman and..."

"No matter, I said. If your master will return, I will give her an equivalent of your price, so she wouldn't suffer any loss. Marcus-"

"Aye, sir! Lucas and Marius the Baldhead, come here! This slave must be crucified immediately. Take a hammer and nails... Come on then, you dirty slut, they will slaughter you. This way..."

"Nooo...! Pleeease!!! Have mercyyy on me...! Nooooo..."

"Thanks, Marcus. So, they will do the job and we can continue. What were we talking about...?"
 

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Eight lonely ladies hanged in eight different ways (and in different locations however this is not obvious due to the "no background" image versions).

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I’ve begun to enjoy this pose, with her arms pulled behind her and bent over the patibulum. That pose is already painful enough (her shoulders would be destroyed almost instantly), but this variation looks like one of the most painful I’ve seen yet. Wrists nailed instead of roped, feet/ankles nailed to the sides of the stipes. The position of her feet means that her naked ass will be rubbing against the rough wood, but her back will be forced out and to arch painfully. No wonder she’s crying!
 
Coloured pencils test. I suppose it wouldn't become my favourite technique due to the additional time required. And what do you think?
As an addition to my previous post, I want to reveal that I sometimes tried to put the color to the victim's body only (or body + her patibulum, ropes and so on - see the example attached here). It was a kind of a compromise between the speed and the impression, but I found it hardly worth a candle as the impression was not attractive enough in my opinion. And what about you?
 

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As an addition to my previous post, I want to reveal that I sometimes tried to put the color to the victim's body only (or body + her patibulum, ropes and so on - see the example attached here). It was a kind of a compromise between the speed and the impression, but I found it hardly worth a candle as the impression was not attractive enough in my opinion. And what about you?


Top job. These sketches really capture something for me. The simplicity is the key here. More please!!
 
Coloured pencils test. I suppose it wouldn't become my favourite technique due to the additional time required. And what do you think?


It makes all the difference. It reallt brings it to life. What I like about your drawings are the small details. Hair on the vagina and underarms, which makes a nice change from clean shaven women, which I never fell is very realistic. I don't care whether or not that was practiced, it just looks better. The way the body is contorted works well too. More please!!
 
There is one more option, but I found it especially ineffective. One can add the color palette with computer application to the digitalized hand made sketch. This technique required very clear sketch with the thick lines, no half-tones, and thus the result is not a very artistic one. Rather looks like a piece of an online coloring book. It is the most time-consumming method as well. The bonus is, you can add a background quick and easy.
 

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Some sketches concerning the historical (Roman) crucifixions. No modern accessories, no "willing" and smiling victims. Just how I imagine this most terrible and humiliating execution of same innocent barbarian woman, a quiet wife of her husband and good mother to her children, crushed by a merciless imperial system.

For this reason the "model" is often not some young girl and maybe not a sex bomb. The victim is often similar to my beloved wife who is a perfect example of a quiet wife and good mother and moreover in my opinion she's, of course, the most sexy and beautiful woman I ever met.

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Very good.
 
My humble take on this is that I prefer your trademark line drawings without coloring (blood in red is ok). I can color the scene in my mind if I choose to do so, but my appreciation of your drawings is more focused on detailing, situation, etc., than on coloring.
 
Some sketches concerning the historical (Roman) crucifixions. No modern accessories, no "willing" and smiling victims. Just how I imagine this most terrible and humiliating execution of same innocent barbarian woman, a quiet wife of her husband and good mother to her children, crushed by a merciless imperial system.

For this reason the "model" is often not some young girl and maybe not a sex bomb. The victim is often similar to my beloved wife who is a perfect example of a quiet wife and good mother and moreover in my opinion she's, of course, the most sexy and beautiful woman I ever met.

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I could not agree more. To me, they are the most erotic and visceral when they portray authentic horror. I want to see the misery and pain. The humiliation that becomes palpable.
 
Coloured pencils test. I suppose it wouldn't become my favourite technique due to the additional time required. And what do you think?
There is one more option, but I found it especially ineffective. One can add the color palette with computer application to the digitalized hand made sketch. This technique required very clear sketch with the thick lines, no half-tones, and thus the result is not a very artistic one. Rather looks like a piece of an online coloring book. It is the most time-consumming method as well. The bonus is, you can add a background quick and easy.
I like the addition of color. But either way, they are fantastic drawings. So simple, yet so evocative of the horrible reality of crucifixion. I guess only people who meet at a website dedicated to crucifixion images would find such images to be erotic as well. And yours are. Your voluptuous, Rubenesque women are extremely sensual in their terror and agonies. As are the bearded men with erections.

The nails you depict--so long and square cut--make me shudder when they are pictured on the ground next to a woman moments away from having them pounded though her body. I love it when you show the nails driven all the way through the other side of the wood. It emphasizes how solidly and securely these bitches are affixed to their crosses. Much different from being roped. Oh, roped to a cross causes suffering enough, to be sure. And may ultimately keep the condemned alive much longer and suffer even more than a shorter time nailed to the cross. But cut the ropes and she's off the cross. But nailed--she isn't coming down. The awareness of that in the mind of the crucified woman (or man) is such an intense emotion.

By the way, have you depicted men being nailed to their crosses?

PLSIECAN01_5250_I_pietro_1685_001.jpg This colored image really gets to me. Just by making her nipples a bit darker adds so much depth to her body and the overall composition. I can almost see her boobs bobbling around as she walks bent over towards where she'll be crucified. Of course, I always put myself in the image. Wow! Naked, terrified, dripping sweat bearing the heavy crossbeam, bent over, boobs bobbling humiliated! What a sensual rush!
 
The biblical trio in full female version, long agony option wirh a "fucking" type sedile.

Phallic sediles are perfect for a criminal who tried to jump above her place in society and needs to be brought back into submission. The two on the ends look like they have accepted their new lovers. The “queen” in the middle is still fighting the sedile, but she’ll eventually settle down and expire with it piercing into her womb, too.
 

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