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Fit, Lovely Ladies Crucified

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Women who needed money were using those to sell advertising space on their bodies, and of course some locations were more expensive than others! :)
This a very fascinating idea ! I wonder which kind of advertising it would be on the most delicate parts ? May be for tampons on her pussy, or toilet paper on her butt ? :)
 
Hi, I know this pics...
Does one of you have others of This series?
Best Regards!
A gladiatrix? What did she do? Refuse to kill her opponent? I imagine she was matched against a former lover and simply could not deliver the kill thrust when she was helpless on the ground. Our girl threw her sword down and refused to obey the demands of the crowd and the emperor to finish off her opponent.

Both women were subsequently crucified.

"Why? Why didn't you just kill me," she groaned as she hanged nailed to the cross next to the gladiatrix. "You would have spared both of us this torment!"
 
A new crux vid by Bald (Crucifixion 35). She appears to be a lovely young lady, and the rigging may be the best yet from this source. Here are the promo pics. If I get it, I'll upload a clip or two.

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As promised.

The lady has a kicking' body, and, although she doesn't "dance" as we would all like her to, she does have a wonderfully slow descent (see clip) to an eventual "death" at the end. I think Alex's cinematography is vastly improved, as is his rigging technique. A shame the film is barely 15 minutes.

 
He just might be the chosen one. Perfect posing, rigging, excellent casting... but that echo... ugh. I'd be near perfect with a few fake nails. Doesn't have to have a nailing scene, but the add something to seal the crucifixion visually and make the pain believable.
 
Well, it's a very easily solvable problem... get a boom mike. In fact, I recall an image from some years ago where a futuristic crucifixion had a boom mike over the cross to capture the screams of the tortured woman. Of course, I think these are done on shoe string budgets, so that is less of an option than in a more moneyed production. There is some options for post processing as well, but those tend to reduce sound quality.
 
Well, it's a very easily solvable problem... get a boom mike. In fact, I recall an image from some years ago where a futuristic crucifixion had a boom mike over the cross to capture the screams of the tortured woman. Of course, I think these are done on shoe string budgets, so that is less of an option than in a more moneyed production. There is some options for post processing as well, but those tend to reduce sound quality.

I don't want to kill everyone's pleasure by getting technical, but would a boom mike help alleviate the echo? It seems that they'd need to mute the walls with some soundproofing first.

But, like I said before, I actually like the echo. It communicates a feeling of loneliness. I like distant train whistles in the night for the same reason.
 
I don't want to kill everyone's pleasure by getting technical, but would a boom mike help alleviate the echo? It seems that they'd need to mute the walls with some soundproofing first.

But, like I said before, I actually like the echo. It communicates a feeling of loneliness. I like distant train whistles in the night for the same reason.
I'm not a sound engineer, but I have edited sound in Adobe Audition and matched it to the lips of animated characters. If you've got an outdoor crucifixion scene and you're using sound recorded indoors it's obvious when you listen to it that it doesn't match the environment. Yes, I'd put eggcrate foam on the walls for some damping. You can always add echo in, but getting it out is a bitch.
 
I'm not a sound engineer, but I have edited sound in Adobe Audition and matched it to the lips of animated characters. If you've got an outdoor crucifixion scene and you're using sound recorded indoors it's obvious when you listen to it that it doesn't match the environment. Yes, I'd put eggcrate foam on the walls for some damping. You can always add echo in, but getting it out is a bitch.

Wouldn't that involve eating a lot of eggs first?
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As promised.

The lady has a kicking' body, and, although she doesn't "dance" as we would all like her to, she does have a wonderfully slow descent (see clip) to an eventual "death" at the end. I think Alex's cinematography is vastly improved, as is his rigging technique. A shame the film is barely 15 minutes.


I'm not sure Alex is the one filming the videos with this particular actress. I think she works with someone else (maybe her husband or boyfriend?) because all of the sets that's she's in are never used by any of Alex's other models. That tells me that this location is unique to her (and her teammate). I've only seen her with the same male in a wrestling mask, and Alex doesn't bother to wear a mask. Masked Man also appears to be younger. That tells me that Alex isn't the maniac in those films. I'm guessing they shoot the videos, then let Alex sell through his storefront for a split of the money. This allows him to have fresh material to fill deadlines when he's busy filming and editing his own work. I'm guessing Alex built the cross for them, because he has one mounted on the wall of his usual studio, too, and it looks very, very similar to that one in design and construction.

What I am hoping is that Alex learns through their work and it carries over into his own productions. This is the first time I've seen a Cruel World crux video that came close to what Makar was doing in terms of posing with arms outstretched and knees bent with feet tied to the post. Part of the problem is the reluctance for models to do that pose without foot support. Apparently the idea of the rope acting as a stirrup is beyond their comprehension, but then I'm not the one standing in the thing for hours while a ham-fisted cameraman sets up his equipment. However, now that it's been done, maybe they'll see that it's possible and want to give it a try themselves.

Attached are a couple of pics from her non-crux films.
 

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I'm not sure Alex is the one filming the videos with this particular actress. I think she works with someone else (maybe her husband or boyfriend?) because all of the sets that's she's in are never used by any of Alex's other models. That tells me that this location is unique to her (and her teammate). I've only seen her with the same male in a wrestling mask, and Alex doesn't bother to wear a mask. Masked Man also appears to be younger. That tells me that Alex isn't the maniac in those films. I'm guessing they shoot the videos, then let Alex sell through his storefront for a split of the money. This allows him to have fresh material to fill deadlines when he's busy filming and editing his own work. I'm guessing Alex built the cross for them, because he has one mounted on the wall of his usual studio, too, and it looks very, very similar to that one in design and construction.

What I am hoping is that Alex learns through their work and it carries over into his own productions. This is the first time I've seen a Cruel World crux video that came close to what Makar was doing in terms of posing with arms outstretched and knees bent with feet tied to the post. Part of the problem is the reluctance for models to do that pose without foot support. Apparently the idea of the rope acting as a stirrup is beyond their comprehension, but then I'm not the one standing in the thing for hours while a ham-fisted cameraman sets up his equipment. However, now that it's been done, maybe they'll see that it's possible and want to give it a try themselves.

Attached are a couple of pics from her non-crux films.
Thanks, TC. That makes a lot of sense!

I wrote Alex, telling him how much I liked his improved methodology (lighting, rigging, etc.). He wrote back and politely thanked me, but didn't say he did or didn't produce the video. I think you're right, though. Maybe Alex will realize that the methods used in #35 are worth imitating.

As for the footrest, I once tried hanging with my feet in a sling flat against an upright, holding onto a beam with my arms bent. I could maintain it for about one minute (and I'm a fitness devotee) before the leg muscles stated to shake. I think I could "dance" for maybe 15 minutes that way, but no longer. I think the best compromise position for models unable (or unwilling, god bless 'em) to be crucified against a flat stipes is the 45 degree footrest. It still means their legs need be bent, but it allows a bit more support than the other. (Illustrations use nails instead of ropes, but you get the idea.)

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