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Margot

Magistrate

I feel like it was just yesterday that I wrote We're in October! ... and now October is gone! So freaking fast, really, Halloween is in the past! I didn't even see it happen.

Jac and his extremely lovely Divas, ended the month having a terrific and gut-wrenching fun time in the set, but only for a couple of days a week. As you all know, Dani hosts a TV show, which, during the pandemic lockdown she was recording her part in the show at home and at her most convenient hours. However, beginning a week ago or so, the TV station decided to try to go back to normal by holding two shows LIVE, from the Studio, on Monday and Tuesday and record the rest of the weekly shows every Tuesday, also at the TV studio.

Dani has to have different and complex hairdos, different clothing, as well as different make-up for every daily show. That's 5 changes of hair styles! On Wednesday she can go back to the way she has her hair in the film she's working on with Jac. This will be the routine until at least the end of this year; thus, Dani has only three weekdays free to work on the new Red Feline productions.

Nonetheless, the current production, Crux Simplex For Two, is advancing at a dizzying pace regardless of the number of days used to work on it. The energetic and crazy stride of the production has to do with the lack of complicated apparatus to deal with. There's only the post, an assorted number of chains and shackles hanging from the post and attached to the walls as well as the obligatory variety of whips which Jac wields with spirited enthusiasm on the two beautiful victims he has trapped in his dungeon, simultaneously!

So incredibly effective is the production that in one day the two captive girls in inescapable peril had their feet chained up, beaten in true <strong>Bastinado</strong> form, their arms set up in the cruel Strappado position, their naked bodies flogged mercilessly .... and more!

Needless to say, I will have a lot to report on what happened, what is happening and what will be happening in the days to come.

A promising new film is breaking through the limitations of a worsening world pandemic, presidential elections in the US and Bolivia, which promise to be contentiously tumultuous at best, sudden bouts with the flu, if not something else, difficult, even painful family issues and so on and so forth. Not an easy time, certainly.

While the orgiastic production of the Crux Simplex For Two is fiercely moving forward, the frenetic post production of two other films is going just as fervid.


CruXtreme IV is going through the careful and time consuming selection of shots but I received the news that the opening scene of this film is already in fine cut, with music, title, credits and all that Jazz.

Mila looks totally gorgeous on her new solo film, a very strange movie, indeed, where the ladder and another of our classic instruments of torture last seen in Maleficarum is put to graphically stupendous and original use. Mila returns to making movies, in true beautiful form, more than a year after she participated in the production of Monxa Mala.

It looks like the heroine of such classics as Maleficarum, Le Marquis De La Croix, Barbazul, Dead But Dreaming, Ollala, Justine and Pygmalion, will be working on many, many more films in the next few years. She'll close this year working with Dani, once more, sharing the pain and, yes, the pleasure, on a new addition to the CruXtreme Series.


In CruXtreme III - The Callback, after all the tortures I mentioned in previous posts, Dani suffers the barbaric nailing of her hands to the wooden crossbar, thus beginning a dreadful and bloody crucifixion that can only get shockingly and painfully nastier.

CruXtreme III is also advancing in post production. At least 50 minutes of the third film in this series in already in its First Cut, some of it even in fine cut. It will take some time still, but it's getting there.

zaniaqwerty You know guys after seeing your work for all these years I'm tempted to make plans to go to Bolivia with my Camera and Gore effects experience and writing skills... and my money and maybe collaborate.

Not too many people can resist the temptation. Amy herself, after watching Martyr at a film festival, was not only tempted, but drawn to join Jac in the adventure that made her world famous as director, script writer, producer and actress. I can say the same for Dani, who heard about Jac and his vampire movie, Dead But Dreaming, left for Spain for a year or so, returned to Bolivia, saw Justine at the Cinemateca and contacted Jac saying: I want to work in your films!... Dani is now working in all of Jac's new films, not only as an actress, but she's showing her talents as Producer, Assistant Director, Make-Up Artist, Assistant Gaffer, and Camera Operator.

Anything can happen, but it's not up to Jac for the first step in this. Actually, he can't remember when was the last time he went after someone, for professional or personal reasons. They all come to him. He is, after all, a mesmerizing vampire.


In CruXtreme II - The Roommate, Dani is all set across the rack, her head dangling outside the side of the rack, her wrists and ankles attached to the nasty ropes to the opposite extremes of the torture gadget, her legs spread wide apart, thus expose for more torture.


Download CruXtreme II - The Roommate

And now, more from the first official review of CruXtreme I - The Playroom

More Performance than Plot

by Rich Moreland, September 2020​
...

One-Man Crew
[/center]

For fans with a technical interest in filmmaking, Jac elaborated on what it’s like to work within a confined environment. By the way, he references CX I’s follow-up films, CX II and CX III.

“For the first two films in this series I used only one camera which I had to move a lot for all of the angles I have on each scene, I used a tripod and a crane, depending of the kind of shot I wanted.

“In the current film (CX III) I’m using two cameras, the Canon that I move a lot, setting it up on the tripod or the crane, depending on the kind of shot I want, and a 4K GoPro that [is] above the cross to get a bird’s wide angle view of the scenes.”

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Why don't you make a film about how Dani got into making films of torture and execution. I can imagine a full length foreign language film in the same market as Blue is the Warmest Colour. It tells the story of a strong willed young woman who doesn't take shit from anyone , who can take care of herself, who is intelligent. charismatic, charming and protects her friends from their asshole boyfriends, yet she is drawn to act out being a victim of torture and crucifixion. I want to know what makes this character tick.
I think some of the dialogue between her and the film maker/ executioner would be good. I imagine her telling him with softly spoken threat about how his balls would be removed if he actually drew real blood from her, showing the audience that despite all the visuals of her suffering the death of a Martyr , Depite the fact that she is acting the part of a victim. she has most of the control in the relationship
 

ranger1

Magistrate
Camille as a victim of crucifixion is quite intoxicating. Her performances at each stage of her crucifixion are captivating, realistically portraying the suffering, fear and final acceptance of her fate. I was able to photoshop your posted image (thank you) with this result.
Your posting lead me to seek special moments from several of Camille's 'Via Crucis" series of films (there were 10 in all).
Camille jerking and twisting as she's being nailed in VC Camille #8 is extremely realistic and quite erotic. Her portrayed suffering as first her right foot then her left foot are nailed are riveting (pardon the pun).
 

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ranger1

Magistrate
Your posting lead me to seek special moments from several of Camille's 'Via Crucis" series of films (there were 10 in all).
Camille jerking and twisting as she's being nailed in VC Camille #8 is extremely realistic and quite erotic. Her portrayed suffering as first her right foot then her left foot are nailed are riveting (pardon the pun).
One of the most erotic (to me) scenes from Camille's captivating series of Crucifixion films is from Via Crucis #2. After suffering a brutal whipping, Camille is lowered to her knees on the floor. Releasing her arms, her executioner ties her arms to the patibulum which has been placed on her torn and bleeding shoulders. She is dragged to her feet and whipped to force her to struggle bleeding and semi naked through (imaginery) crowd of spectators.
 

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ranger1

Magistrate
This second vidcap shows Camille returning to her place of crucifixion after staggering under the weight of her patibulum.
 

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ranger1

Magistrate
This second vidcap shows Camille returning to her place of crucifixion after staggering under the weight of her patibulum.

I feel like it was just yesterday that I wrote We're in October! ... and now October is gone! So freaking fast, really, Halloween is in the past! I didn't even see it happen.

Jac and his extremely lovely Divas, ended the month having a terrific and gut-wrenching fun time in the set, but only for a couple of days a week. As you all know, Dani hosts a TV show, which, during the pandemic lockdown she was recording her part in the show at home and at her most convenient hours. However, beginning a week ago or so, the TV station decided to try to go back to normal by holding two shows LIVE, from the Studio, on Monday and Tuesday and record the rest of the weekly shows every Tuesday, also at the TV studio.

Dani has to have different and complex hairdos, different clothing, as well as different make-up for every daily show. That's 5 changes of hair styles! On Wednesday she can go back to the way she has her hair in the film she's working on with Jac. This will be the routine until at least the end of this year; thus, Dani has only three weekdays free to work on the new Red Feline productions.

Nonetheless, the current production, Crux Simplex For Two, is advancing at a dizzying pace regardless of the number of days used to work on it. The energetic and crazy stride of the production has to do with the lack of complicated apparatus to deal with. There's only the post, an assorted number of chains and shackles hanging from the post and attached to the walls as well as the obligatory variety of whips which Jac wields with spirited enthusiasm on the two beautiful victims he has trapped in his dungeon, simultaneously!

So incredibly effective is the production that in one day the two captive girls in inescapable peril had their feet chained up, beaten in true <strong>Bastinado</strong> form, their arms set up in the cruel Strappado position, their naked bodies flogged mercilessly .... and more!

Needless to say, I will have a lot to report on what happened, what is happening and what will be happening in the days to come.

A promising new film is breaking through the limitations of a worsening world pandemic, presidential elections in the US and Bolivia, which promise to be contentiously tumultuous at best, sudden bouts with the flu, if not something else, difficult, even painful family issues and so on and so forth. Not an easy time, certainly.

While the orgiastic production of the Crux Simplex For Two is fiercely moving forward, the frenetic post production of two other films is going just as fervid.


CruXtreme IV is going through the careful and time consuming selection of shots but I received the news that the opening scene of this film is already in fine cut, with music, title, credits and all that Jazz.

Mila looks totally gorgeous on her new solo film, a very strange movie, indeed, where the ladder and another of our classic instruments of torture last seen in Maleficarum is put to graphically stupendous and original use. Mila returns to making movies, in true beautiful form, more than a year after she participated in the production of Monxa Mala.

It looks like the heroine of such classics as Maleficarum, Le Marquis De La Croix, Barbazul, Dead But Dreaming, Ollala, Justine and Pygmalion, will be working on many, many more films in the next few years. She'll close this year working with Dani, once more, sharing the pain and, yes, the pleasure, on a new addition to the CruXtreme Series.


In CruXtreme III - The Callback, after all the tortures I mentioned in previous posts, Dani suffers the barbaric nailing of her hands to the wooden crossbar, thus beginning a dreadful and bloody crucifixion that can only get shockingly and painfully nastier.

CruXtreme III is also advancing in post production. At least 50 minutes of the third film in this series in already in its First Cut, some of it even in fine cut. It will take some time still, but it's getting there.



Not too many people can resist the temptation. Amy herself, after watching Martyr at a film festival, was not only tempted, but drawn to join Jac in the adventure that made her world famous as director, script writer, producer and actress. I can say the same for Dani, who heard about Jac and his vampire movie, Dead But Dreaming, left for Spain for a year or so, returned to Bolivia, saw Justine at the Cinemateca and contacted Jac saying: I want to work in your films!... Dani is now working in all of Jac's new films, not only as an actress, but she's showing her talents as Producer, Assistant Director, Make-Up Artist, Assistant Gaffer, and Camera Operator.

Anything can happen, but it's not up to Jac for the first step in this. Actually, he can't remember when was the last time he went after someone, for professional or personal reasons. They all come to him. He is, after all, a mesmerizing vampire.


In CruXtreme II - The Roommate, Dani is all set across the rack, her head dangling outside the side of the rack, her wrists and ankles attached to the nasty ropes to the opposite extremes of the torture gadget, her legs spread wide apart, thus expose for more torture.


Download CruXtreme II - The Roommate

And now, more from the first official review of CruXtreme I - The Playroom



http://redfeline.com/wp-content/uploads/2020/10/CruXtremeITheFilm_01020229.jpg

Get our DVDs!

DOWNLOAD our films!

Red Feline Pictures

Watch Our Films at Vimeo
Hello Margot,

In postimg a response to "Camille Forever" posting, it brought to mind the shelved Camille and Gabrielle crucifixion films,
Training of Camille
Double Cross
Seven Days on the Cross #5 (all episodes in 1 film)
Cross and Barbed Wire
Martyr (Torture scenes only).

Are any nearing release, please?

Sincerely, Ranger 51 9formerly ranger1)
 

Yupar

Regina Iudaeorum

I feel like it was just yesterday that I wrote We're in October! ... and now October is gone! So freaking fast, really, Halloween is in the past! I didn't even see it happen.

Jac and his extremely lovely Divas, ended the month having a terrific and gut-wrenching fun time in the set, but only for a couple of days a week. As you all know, Dani hosts a TV show, which, during the pandemic lockdown she was recording her part in the show at home and at her most convenient hours. However, beginning a week ago or so, the TV station decided to try to go back to normal by holding two shows LIVE, from the Studio, on Monday and Tuesday and record the rest of the weekly shows every Tuesday, also at the TV studio.

Dani has to have different and complex hairdos, different clothing, as well as different make-up for every daily show. That's 5 changes of hair styles! On Wednesday she can go back to the way she has her hair in the film she's working on with Jac. This will be the routine until at least the end of this year; thus, Dani has only three weekdays free to work on the new Red Feline productions.

Nonetheless, the current production, Crux Simplex For Two, is advancing at a dizzying pace regardless of the number of days used to work on it. The energetic and crazy stride of the production has to do with the lack of complicated apparatus to deal with. There's only the post, an assorted number of chains and shackles hanging from the post and attached to the walls as well as the obligatory variety of whips which Jac wields with spirited enthusiasm on the two beautiful victims he has trapped in his dungeon, simultaneously!

So incredibly effective is the production that in one day the two captive girls in inescapable peril had their feet chained up, beaten in true <strong>Bastinado</strong> form, their arms set up in the cruel Strappado position, their naked bodies flogged mercilessly .... and more!

Needless to say, I will have a lot to report on what happened, what is happening and what will be happening in the days to come.

A promising new film is breaking through the limitations of a worsening world pandemic, presidential elections in the US and Bolivia, which promise to be contentiously tumultuous at best, sudden bouts with the flu, if not something else, difficult, even painful family issues and so on and so forth. Not an easy time, certainly.

While the orgiastic production of the Crux Simplex For Two is fiercely moving forward, the frenetic post production of two other films is going just as fervid.


CruXtreme IV is going through the careful and time consuming selection of shots but I received the news that the opening scene of this film is already in fine cut, with music, title, credits and all that Jazz.

Mila looks totally gorgeous on her new solo film, a very strange movie, indeed, where the ladder and another of our classic instruments of torture last seen in Maleficarum is put to graphically stupendous and original use. Mila returns to making movies, in true beautiful form, more than a year after she participated in the production of Monxa Mala.

It looks like the heroine of such classics as Maleficarum, Le Marquis De La Croix, Barbazul, Dead But Dreaming, Ollala, Justine and Pygmalion, will be working on many, many more films in the next few years. She'll close this year working with Dani, once more, sharing the pain and, yes, the pleasure, on a new addition to the CruXtreme Series.


In CruXtreme III - The Callback, after all the tortures I mentioned in previous posts, Dani suffers the barbaric nailing of her hands to the wooden crossbar, thus beginning a dreadful and bloody crucifixion that can only get shockingly and painfully nastier.

CruXtreme III is also advancing in post production. At least 50 minutes of the third film in this series in already in its First Cut, some of it even in fine cut. It will take some time still, but it's getting there.



Not too many people can resist the temptation. Amy herself, after watching Martyr at a film festival, was not only tempted, but drawn to join Jac in the adventure that made her world famous as director, script writer, producer and actress. I can say the same for Dani, who heard about Jac and his vampire movie, Dead But Dreaming, left for Spain for a year or so, returned to Bolivia, saw Justine at the Cinemateca and contacted Jac saying: I want to work in your films!... Dani is now working in all of Jac's new films, not only as an actress, but she's showing her talents as Producer, Assistant Director, Make-Up Artist, Assistant Gaffer, and Camera Operator.

Anything can happen, but it's not up to Jac for the first step in this. Actually, he can't remember when was the last time he went after someone, for professional or personal reasons. They all come to him. He is, after all, a mesmerizing vampire.


In CruXtreme II - The Roommate, Dani is all set across the rack, her head dangling outside the side of the rack, her wrists and ankles attached to the nasty ropes to the opposite extremes of the torture gadget, her legs spread wide apart, thus expose for more torture.


Download CruXtreme II - The Roommate

And now, more from the first official review of CruXtreme I - The Playroom



http://redfeline.com/wp-content/uploads/2020/10/CruXtremeITheFilm_01020229.jpg

Get our DVDs!

DOWNLOAD our films!

Red Feline Pictures

Watch Our Films at Vimeo
I would like to know - will Amy be back on scene?
I love her death scene in Olalla and "Dead but Dreaming". I could feel myself in burning at the stake when I was watching expecially in pubic hair burning and praying inside churche.
I wish her to suffer and die on high cross in full of humiliation :)
She is the best in art of dying :)
 

DirkZ

Executioner
Camille as a victim of crucifixion is quite intoxicating. Her performances at each stage of her crucifixion are captivating, realistically portraying the suffering, fear and final acceptance of her fate. I was able to photoshop your posted image (thank you) with this result.
Lovely, simply lovely.
 

Eulalia

Poet Laureate
Staff member
I would like to know - will Amy be back on scene?
I love her death scene in Olalla and "Dead but Dreaming". I could feel myself in burning at the stake when I was watching expecially in pubic hair burning and praying inside churche.
I wish her to suffer and die on high cross in full of humiliation :)
She is the best in art of dying :)
I believe Amy has moved on to teaching in a university. Film studies or similar, I think -
probably not 'how to be tortured', though she is certainly the supreme mistress of that!
 

Margot

Magistrate
Torturing Gone Wild!

http://redfeline.com/wp-content/uploads/2020/11/CruxSimplexSc02_0470_00104605.jpg

(Click on the url to view the image or go directly to our site to read this post with pictures):

http://redfeline.com/2020/11/24/torturing-gone-wild/

November is moving fast, or it may be that so many things are happening that it makes the passing of time appear to be so short, so extremely short.

The trio from the dungeons of hell is advancing at a maddening speed with the production of Crux Simplex For Two. If I were to describe one of those ferocious and wild afternoons I would have a hard time to be true to the moment. Lots of flogging, whipping, beating, torturing for the two amazing women and in so many situations that it is hard to keep track of everything that is happening to them. And a lot of work, a lot, for the torturer/director/cameraman/gaffer/make up artist/ and more. Even the GoPro camera went flying at one point during one of those dizzying events.

As a matter of fact, there's only ONE shooting day left in the production! It will happen the end of this week... And, right after the grand finale of the new movie is done, the threesome of pain will begin a new production... CruXtreme V - The Playmates.

I think that is a totally crazy production schedule, but there it is, it is happening, even under the worse conditions that we, as a planet, ever faced!

Meanwhile, CruXtreme IV is moving rather slowly in its post production. Having three movies in the editing timeline is a bit too much for one person. However, I heard that Mila has completed the first stage of mastering the great post production software Premiere. She might be joining Jac in the editing room to work on the new films; nevertheless, I don't think Jac will let Mila edit CruXtreme IV. He happens to be enjoying the work of cutting the film too much to let anyone else do it, maybe not as much as he enjoyed having Mila to torture for so many days, for so many hours, and seeing his work take shape under his steady fingers is an enjoyable feat on its own.


zaniaqwerty Why don't you make a film about how Dani got into making films of torture and execution. I can imagine a full length foreign language film in the same market as Blue is the Warmest Colour. It tells the story of a strong willed young woman who doesn't take shit from anyone , who can take care of herself, who is intelligent. charismatic, charming and protects her friends from their asshole boyfriends, yet she is drawn to act out being a victim of torture and crucifixion. I want to know what makes this character tick. I think some of the dialogue between her and the film maker/ executioner would be good. I imagine her telling him with softly spoken threat about how his balls would be removed if he actually drew real blood from her, showing the audience that despite all the visuals of her suffering the death of a Martyr. Despite the fact that she is acting the part of a victim. she has most of the control in the relationship

There's a movie very much like what you describe, Martyr Or The Death of St Eulalia. The story of Camille, a young French woman visiting New York, as she plays the role of the very famous third century martyr for a photoshoot. One particular element of the movie is that Camille (played by the most fantastic Carmen Paintoux) has the control of her relationships as well as of her suffering. One famous professor/writer gave a lecture at Sienna University, in New York State, about exactly that, the role of Camille in the film and how she controls everything.

If we were to watch the raw footage of Camille/Carmen during her training, there are moments when she does go after Jac because he hit her too hard on her nipples.



Having said that, Jac is planning another movie with Dani, La Femme De Chambre, where some of the elements described in zaniaqwerty's comment are part of the story. Furthermore, in CruXtreme III - The Callback, Dani goes into the role of a torture victim, willingly, she auditioned for it and now she is responding to a Callback to play the dramatic and most painful role of a woman executed, in extremely nasty ways, for the crime of stabbing a powerful man to death.

If all the footage captured when Dani and Jac were either setting things up, or talking about what they were doing and/or were about to do was edited into a Making of film, we would have a very interesting documentary about how an actress goes into the role of a suffering victim put to extreme torture, the actual pain she suffers, the fainting, the long waits while Jac prepares what he needs to torture her, while she's strung up on the cross, her delicates "resting" on what can only be described as a rusty metallic, rough, Spanish Horse kind of apparatus.


Dani has maximum suffering on the rack in a variety of increasingly painful ways in CruXtreme II - The Roommate. The film took many weeks to shoot and during all that time she had to be on the cruel contraption in many different positions. One particularly painful moment was when she was set up with her arms and legs stretched along the length of the rack, her head leaning off to the side, her legs hanging out, her ankles and wrists tied to the extremes while her body lays across it, her back and ass resting on the rough, uneven, wooden parts of the rustic ladder that plays the role of the rack.

In that position, her legs wide open, Dani is most vulnerable to Jac's cruel mistreatment, which includes the flogger.


And now, more from the first official review of CruXtreme I - The Playroom
https://3hattergrindhouse.com/2020/09/03/more-performance-than-plot/

More Performance than Plot
by Rich Moreland, September 2020</p>
...

Three is a Risk


As we’ve mentioned above, there are at least two more films in the works on this theme: CruXtreme II and III. They are also the joint efforts of Jac and Dani.
According to Jac, Dani loved working on the series despite the horrors she apparently endures.
“She commented to me, recently, that she’s having a lot of fun,” he said.
It’s clear that her enthusiasm for the “victim” role is genuine.
“When I told her that we were almost done with the third one, she said that she has mixed feelings. She wants to finish it because she wants to move on to the next movie, while she doesn’t want to finish it because she’s enjoying it too much.”
Though they will wrap up the third installment soon, the pandemic is playing havoc with their schedule, as might be expected. Jac emphasized that they are faced with a one-week lock down in LaPaz. As a result, they’ll be forced to take that week off.
“If we’re done with CX III, we’ll move on to work on a couple of films with Mila [Joya] where Dani will also play a part,” he added.

Continue Reading
https://3hattergrindhouse.com/2020/09/03/more-performance-than-plot/

[b]nice image[/b] http://redfeline.com/wp-content/uploads/2020/11/CruXtremeITheFilm_01010103.jpg

This past week, Jac was searching for something in the internet, when he was pleasantly surprised when he found a new, never seen before, review of his masterpiece Justine!
http://atthemansionofmadness.blogspot.com/2020/01/justine-2016.html

The great review is written by Giovanni Susina and it appears in the blog At the Mansion of Madness
http://atthemansionofmadness.blogspot.com/2020/01/justine-2016.html

The review covers, as background, the many films adapted from the most famous De Sade story. It's a nice, lengthy review, here I quote a tiny bit:

I found Avila’s Justine to be a worthwhile experience filled with disturbing violent imagery that also in its own way manages to be beautiful, particularly in the way it is framed and filmed by cinematographer Miguel Inti Canedo and edited by Avila. Plus, it is nice to have a modern Justine film to round out the collection of available Justine films, which are mostly from the ‘60s and ‘70s.


I will have a lot more soon, with news about The Training of Camille movies, more of the CruXtreme Series as well as the ongoing production madness that has taken over the Red Feline Pictures Cast and Crew.

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