That's a helpful observation, Old Slave.
Writing 'The Interrogation and Punishment Centre for Girls' was my first large-scale attempt to come to terms with my own 'dark side',
up to then I'd really only written poems, and I still feel that distilling my fantasies and feelings into few carefully-chosen words,
usually within some kind of formal structure (even if it's not one that's obvious to readers), can produce the most powerful effect.
But IPCG was a kind of therapy, I needed to write it for myself, I think there are passages in it that I'm reasonably pleased with,
but I can well understand your feeling that it leaves too little to the imagination (I have that problem myself with a lot of de Sade
never mind lesser writers in the sadistic vein).
And, on the theme of this thread, sometimes when I'm reading really effective writing by a good many of our authors here,
I ignore any pictures, the words are enough to feed my imagination, pictures just overload and constrain it -
and the converse is true when looking at pictures that stimulate my imagination and tell, or (better) hint at, stories without words.
Writing 'The Interrogation and Punishment Centre for Girls' was my first large-scale attempt to come to terms with my own 'dark side',
up to then I'd really only written poems, and I still feel that distilling my fantasies and feelings into few carefully-chosen words,
usually within some kind of formal structure (even if it's not one that's obvious to readers), can produce the most powerful effect.
But IPCG was a kind of therapy, I needed to write it for myself, I think there are passages in it that I'm reasonably pleased with,
but I can well understand your feeling that it leaves too little to the imagination (I have that problem myself with a lot of de Sade
never mind lesser writers in the sadistic vein).
And, on the theme of this thread, sometimes when I'm reading really effective writing by a good many of our authors here,
I ignore any pictures, the words are enough to feed my imagination, pictures just overload and constrain it -
and the converse is true when looking at pictures that stimulate my imagination and tell, or (better) hint at, stories without words.