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Art reviews by Zephyros

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Sculptures of nude bodies in explicit positions, created (and exhibited too) on the threshold between the nineteen and the twentieth century? Of course, there weren’t many brave artists at that time, so it’s easy to guess we’re talking about Jef Lambeaux. Jef Lambeaux or Josef Lambeaux (14 January 1852 – 5 June 1908) was a Belgian sculptor who worked during the late 19th century and early 20th century. His best known work is Temple of Human Passions, a colossal marble bas-relief (due to participated children in erotic scenes not shown here).

As an eccentric, he became a part of the »Van Beers clique«, a group of creatives led by Jan van Beers known for their particular behaviour, which included walking around Antwerp in historic costumes. But Jef Lambeaux was a great romantic as well, and the perfect blend of these two qualities of his reflected in his erotic sculptures, which caused quite a lot of turbulence and unease among the conservative Belgian communities.
Lady with Brussels sprouts? :D
Before we totally confuse the sculptures of Lambeaux with Belgian food culture...:)
Here are the names of the works I found:

#1: #2: The Kiss
#3: Faun Awaking a Nymph
#4: Laying Nude
#5: A Couple in Love
#6: Faun and Nymph
#7: Triumph of Woman
#8: The Wrestlers
#9: The Bitten Faun
#10: Bacchante

The work of Lambeaux has been long put aside as 'bourgeois art'. The Temple of Human Passions almost got demolished in the middle of the 20th century.
However, many 'bourgeois' people were outraged when it was inaugurated in 1898 and called it 'a marble brothel'. Other works were also received with outrage, because of their erotic content.
Fortunately, the appreciation of the sculptures of Lambeaux has changed today.
 
The Artist's Nude Is The Poet's Love

The French poet, Paul Valery, noted that "The nude is for the artist what love is for the poet" The nude has been a wellspring of artistic creativity in RomeEuropean art and has acted as the visual embodiment of ideas and views about that most constant of human concerns, love, both earthly and sacred. For the Ancient Greeks, the nude epitomized perfect physical beauty of a kind immune from the depredations of time; signified the imposition of order upon the caprices of nature; and symbolized the nobility of the human spirit.

Erotica in art has been explored in the variety of our culture history focusing mostly on contemporary art, photography, and painting. But we often forget that erotic art and interest in human sexual behavior have been with us from the dawn of humanity. To the delight of three-dimensional art lovers we are digging through the art history to find some sculptural works that deal with the theme of eroticism and sexuality. From the Roman ancestors who were obsessed with eroticism as an inseparable part of the hedonist lifestyle, to Indian Kama Sutra art of love-making depicted in various sculptural forms, to some modern examples that continue the millennia-long interest in human sexuality and bodily beauty.

Jeju Loveland Sculpture Park in South Korea
Not just one sculpture, but a whole array of sexually themed pieces can be found in South Korea’s park on Jeju Island. Opened in 2004 Jeju sculpture park, also known as Loveland, is focused on the exploration of sex and it encompasses 140 public pieces depictions of humans in various sexual positions, giant phalluses and other interesting and interactive genitalia-shaped statues.

Erotic Netsuke Figurines
Invented for practical purposes in Japan, the small netsuke figurines quickly became the valuable art possessions. Since the traditional Japanese garments had no pockets, netsuke were used to secure cords of the pouches that contained personal belongings. Netsuke craftsmanship became popular in the 17th century and these objects are still produced in Japan representing a valuable part of the cultural heritage. Usually carved from ivory or hardwood, these figurines come in different shapes and sizes and you would be surprised to hear that even some explicitly erotic scenes were represented on them.

Erotic Netsuke Figurines
Invented for practical purposes in Japan, the small netsuke figurines quickly became the valuable art possessions. Since the traditional Japanese garments had no pockets, netsuke were used to secure cords of the pouches that contained personal belongings. Netsuke craftsmanship became popular in the 17th century and these objects are still produced in Japan representing a valuable part of the cultural heritage. Usually carved from ivory or hardwood, these figurines come in different shapes and sizes and you would be surprised to hear that even some explicitly erotic scenes were represented on them.

Shary Boyle – Erotic Ceramics
Multidisciplinary artist Shary Boyle from Canada, who had the honor of representing her country at the Venice Biennale in 2013, works in various mediums from sculpture and drawing, to performance and installation. Throughout her feminist-inspired work, she has been reinventing and undermining the history of the traditional porcelain figures. Boyle’s artworks explore a variety of psychological and emotional states, and some of her sculptures and ceramic figurines are dedicated to the exploration of sexual phenomena.

Sleeping Lady
Designed by »Wonderful Stone Factory in China«, made of Italian Arabescato, Italian Carrara and some other imported materials available.

Jeju Loveland (1).jpg Jeju Loveland (2).jpg Netsuke.jpg Shary Boyle.jpg sleeping lady.png
 
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The impression from just those 3 in the Jeju park,
in Korean sex, the woman does all the hard work! :rolleyes: :p
 
439883-eaf8862529e58e1ba4669cca056c7e43.jpg


The impression from just those 3 in the Jeju park,
in Korean sex, the woman does all the hard work! :rolleyes: :p

And doubtless like in Japan - "men come first, women come second." (You Only Live Twice)
 
Brothel Tokens (spintriae)

Roman coins used as tokens for entrance in Roman brothels

Some scholars have argued that spintriae were used to pay prostitutes, possibly for use in brothels. Since there were a lot of foreigners coming to the city that did not speak the language and most of the prostitutes were slaves captured from other places the coins made the transactions easy and efficient. One side of these coins showed what the buyer wanted and the other showed the amount of money to be paid for the act. There is no direct ancient evidence, however, to support the theory that spintriae were created as tokens for exchange in place of official coinage.

Typical rates for prostitutes at the time were somewhere in the range of two to ten asses (the basic unit of Roman currency was called the as, sorry), which lines up fairly well with the 1-to-16 range imprinted on the coins. Throw in the fact that the hanky-panky is shown taking place in a luxe setting possibly suggestive of a high-rent cathouse, and you can understand why many have guessed that spintriae were in fact standardized sex tokens, with the number on the back naming the fee for the act shown on the front.

Whatever the intent behind their manufacture, spintriae apparently became objects of political humor. Tiberius was famously rumored to be into the kinky stuff (in citations provided by the OED, the adjective spintrian, basically meaning »anything but vanilla«, comes up several times in conjunction with his name), and since official coins bore his likeness, the idea of alternate, sexually explicit versions may have struck some as a joke at Tiberius's expense — a sort of ribald editorial cartoon in brass.

Under Caracalla, an equestrian was sentenced to death for bringing a coin with the emperor's likeness into a brothel; he was spared only by the emperor's own death.

S0.jpg S1.jpg S2.jpg S3.jpg S4.jpg S5.jpg S6.jpg S7.jpg

Interested? Some more @ http://www.forumancientcoins.com/numiswiki/view.asp?key=Spintria

and

Velut Luna's classic 'Amica, slavegirl of Pompeii', in the Forum Archive:
http://www.cruxforums.com/xf/resources/amica-the-slavegirl-of-pompeii-by-velut-luna.402/
 
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Roman coins used as tokens for entrance in Roman brothels

Some scholars have argued that spintriae were used to pay prostitutes, possibly for use in brothels. Since there were a lot of foreigners coming to the city that did not speak the language and most of the prostitutes were slaves captured from other places the coins made the transactions easy and efficient. One side of these coins showed what the buyer wanted and the other showed the amount of money to be paid for the act. There is no direct ancient evidence, however, to support the theory that spintriae were created as tokens for exchange in place of official coinage.

Typical rates for prostitutes at the time were somewhere in the range of two to ten asses (the basic unit of Roman currency was called the as, sorry), which lines up fairly well with the 1-to-16 range imprinted on the coins. Throw in the fact that the hanky-panky is shown taking place in a luxe setting possibly suggestive of a high-rent cathouse, and you can understand why many have guessed that spintriae were in fact standardized sex tokens, with the number on the back naming the fee for the act shown on the front.

Whatever the intent behind their manufacture, spintriae apparently became objects of political humor. Tiberius was famously rumored to be into the kinky stuff (in citations provided by the OED, the adjective spintrian, basically meaning »anything but vanilla«, comes up several times in conjunction with his name), and since official coins bore his likeness, the idea of alternate, sexually explicit versions may have struck some as a joke at Tiberius's expense — a sort of ribald editorial cartoon in brass.

Under Caracalla, an equestrian was sentenced to death for bringing a coin with the emperor's likeness into a brothel; he was spared only by the emperor's own death.

View attachment 444380 View attachment 444381 View attachment 444382 View attachment 444383 View attachment 444384 View attachment 444385 View attachment 444386 View attachment 444387

Interested? Some more @ http://www.forumancientcoins.com/numiswiki/view.asp?key=Spintria

and

Velut Luna's classic 'Amica, slavegirl of Pompeii', in the Forum Archive:
http://www.cruxforums.com/xf/resources/amica-the-slavegirl-of-pompeii-by-velut-luna.402/

I mean, the number is not the price. To many different prices (I-XIII). And the houses have different classes of girls and womens. For a young girl must pay a other price as for a old bitch. The numbers are a synonym for the act. Thats clear!
 
Not only female prostitutes, some of them have gay sex on them,
and the name, spinctria (which I think was only given to these tokens
when they were rediscovered in the Renaissance) is a Latinised form of a Greek word
for a 'passive' male prostitute (from 'sphincter')
 
Not only female prostitutes, some of them have gay sex on them,
and the name, spinctria (which I think was only given to these tokens
when they were rediscovered in the Renaissance) is a Latinised form of a Greek word
for a 'passive' male prostitute (from 'sphincter')
It seems, in Roman times, going to male prostitutes was safer, because of the higher risk of contracting venereal diseases with female prostitutes.
 
There seems to some crazy pricing:
Group one: 6 asses for doggy style, or maybe anal
4 asses for...I don't know what that's suppose to be...heavy petting?
Group two: 12 asses for...again, I can't tell...the "girl friend experience"...?
Group three: 10 asses for a hand job...a hand job?!:eek:
3 asses for anal...anal is cheaper than a hand job!???
5 asses for girl-on-girl. Is that to watch or was this the price for female clientele?
Group four: 3 asses for anal
12 asses for straight sex
13 asses for...is that a different kind of anal or reverse cowgirl?
Group five: 7 asses for a blow job
13 asses for cowgirl.
So, why was anal so cheap?
 
Women At Olympic Games

The Olympic Games as we know them today have a long history which goes back to ancient times. Although some elements of these Games were revived »as they were« when the modern Olympic Games were created, others were removed or modified.
Everything started in the Peloponnese, in Greece, some 3,000 years ago. Sports competitions were organized at Olympia and were named after their location, hence their name of »Olympic« Games.

Lets start with the original …

Pausanias: Women at the Olympic Games (5.6.7)

κατὰ δὲ τὴν ἐς Ὀλυμπίαν ὁδόν, πρὶν ἢ διαβῆναι τὸν Ἀλφειόν, ἔστιν ὄρος ἐκ Σκιλλοῦντος ἐρχομένῳ πέτραις ὑψηλαῖς ἀπότομον· ὀνομάζεται δὲ Τυπαῖον τὸ ὄρος. κατὰ τούτου τὰς γυναῖκας Ἠλείοις ἐστὶν ὠθεῖν νόμος, ἢν φωραθῶσιν ἐς τὸν ἀγῶνα ἐλθοῦσαι τὸν Ὀλυμπικὸν ἢ καὶ ὅλως ἐν ταῖς ἀπειρημέναις σφίσιν ἡμέραις διαβᾶσαι τὸν Ἀλφειόν. οὐ μὴν οὐδὲ ἁλῶναι λέγουσιν οὐδεμίαν, ὅτι μὴ Καλλιπάτειραν μόνην· εἰσὶ δὲ οἳ τὴν αὐτὴν ταύτην Φερενίκην καὶ οὐ Καλλιπάτειραν καλοῦσιν. αὕτη προαποθανόντος αὐτῇ τοῦ ἀνδρός, ἐξεικάσασα αὑτὴν τὰ πάντα ἀνδρὶ γυμναστῇ, ἤγαγεν ἐς Ὀλυμπίαν τὸν υἱὸν μαχούμενον· νικῶντος δὲ τοῦ Πεισιρόδου, τὸ ἔρυμα ἐν ᾧ τοὺς γυμναστὰς ἔχουσιν ἀπειλημμένους, τοῦτο ὑπερπηδῶσα ἡ Καλλιπάτειρα ἐγυμνώθη. φωραθείσης δὲ ὅτι εἴη γυνή, ταύτην ἀφιᾶσιν ἀζήμιον καὶ τῷ πατρὶ καὶ ἀδελφοῖς αὐτῆς καὶ τῷ παιδὶ αἰδῶ νέμοντες—ὑπῆρχον δὴ ἅπασιν αὐτοῖς Ὀλυμπικαὶ νῖκαι—, ἐποίησαν δὲ νόμον ἐς τὸ ἔπειτα ἐπὶ τοῖς γυμνασταῖς γυμνοὺς σφᾶς ἐς τὸν ἀγῶνα ἐσέρχεσθαι.

As you go from Scillus along the road to Olympia, before you cross the Alpheius,there is a mountain with high, precipitous cliffs. It is called Mount Typaeum. It is a law of Elis to cast down it any women who are caught present at the Olympic games, or even on the other side of the Alpheius, on the days prohibited to women. However, they say that no woman has been caught, except Callipateira only; some, however, give the lady the name of Pherenice and not Callipateira. She, being a widow, disguised herself exactly like a gymnastic trainer, and brought her son to compete at Olympia. Peisirodus, for so her son was called, was victorious, and Callipateira, as she was jumping over the enclosure in which they keep the trainers shut up, bared her person. So her sex was discovered, but they let her go unpunished out of respect for her father, her brothers and her son, all of whom had been victorious at Olympia. But a law was passed that for the future trainers should strip before entering the arena.

... but they ancients changed their minds … and ...

there were three main criteria for participation in the Games: one had to be female,
of Goddess origin and a free woman. Males were now excluded.
Men were not allowed into the Olympic Games, and could only be admitted as spectators if they were unmarried. However, this did not mean that they did not practice sport. There is evidence that running contests were held at Olympia and at other antique sites.

When looking at a sculpture or a scene painted on a vase, it is easy to identify the athlete by her nakedness. Indeed, for both training and competitions, athletes were always nude, to illustrate the ideal of harmony between the body and the mind. According to this ideal, it was only through training the body that the mind could be developed.

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When they arrived at the gymnasium or palaestra, athletes stripped completely.

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Without the protection of a layer of clothing, they had to take special care of their skin. To prepare for training, an athlete would cover her body with olive oil and then dust it with fine sand. The oil and sand combination helped to regulate her body temperature as well as providing protection from the sun and from the stick that the trainer would use to beat her if she didn’t perform the exercises correctly!

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After training, the athlete would take her strigil, a curved instrument, and scrape
the sweat, oil and sand o her skin. She then finished cleaning herself with water
and a sponge. During competitions, athletes prepared and cleaned themselves in the same way.

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Most of the athletes came from well-know families. While we cannot really speak
of amateurs or professionals as we know them today, only the best were allowed
to participate in the Games. Participants trained individually over several months before traveling to Elis, a city close to Olympia, four weeks before the Games to join the other participants. At this point, a final selection was made to determine those who could go to Olympia. The athletes took stretched and standing an oath, as did the judges. They promised to take part in the competitions in an honorable way, abiding by the rules.

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Crowns, ribbons and palm branches
At the modern Olympic Games, the rst, second and third-placed athletes
are rewarded, respectively, by gold, silver and bronze medals. At the Panhellenic Games, there was only one winner whose prize was a wreath or crown of leaves. At each of the venues, the crowns were made with di erent types of leaves:
- At Olympia, it was a wild olive leaf crown
- At Delphi, a laurel crown
- At Corinth, a pine crown
- At Nemea, a wild celery crown

You see … always a crown …

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Famous athletes
If physical exercise was an important part of general education in Antiquity, there were also highly specialized athletes who followed training programs and participated in many contests.
The names of some of the great champions of Antiquity are still known today.

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  • The famous wrestler Mila of Croton, was a principal figure during the second half of the 7th century BC. She won six times at Olympia, seven times at Delphi, ten times at Isthmus of Corinth and nine times at Nemea! She thus became the most-crowned athlete of Antiquity, earning the title of periodonikes. Mila was not only celebrated for his legendary power, she was also known for his insatiable appetite!
  • Theogena of Thassos won over 1,300 victories in the ancient contests, in boxing and pankration. She became a very important figure in her home town, where a statue to her was erected in the marketplace.
  • The runner Leonida of Rhodes was a twelve-time winner of the stadium race, the double stadium and the race in armour. She was one of the few athletes victorious in three races on the same day. She even managed to repeat this feat over four Olympiads (from 164-152 BC)!
  • The pugilist (boxer) Diagora of Rhodes founded a dynasty of athletes. She won in 464 BC and her daughters and granddaughters also went on to become champions at Olympia.
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Considered as heroes and role models, such great athletes were celebrated even after their death. There are examples of tombs decorated with carvings of the wreaths won during the athlete’s career. A school was even constructed over the tomb of one of them.
 
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lac crux 009.jpg There I was baking in the sun, squirming, writhing and dying before thousands on a cross in the L.A. Colliseum, imagining that I was doing the same nearly 2000 years earlier in the Roman Colosseum. Well, what else did I have to do to amuse myself?
 
View attachment 462366 There I was baking in the sun, squirming, writhing and dying before thousands on a cross in the L.A. Colliseum, imagining that I was doing the same nearly 2000 years earlier in the Roman Colosseum. Well, what else did I have to do to amuse myself?
Don't tell them who won the 'Gold'!!!!
 
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