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The Art Of Spanking

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As I was talking about it in the past, Japanese are experts when it comes to F/F spankings, leading to a lot of motherly and sisterly scenes, which is a curious thing, given the nation is still much more in the line with Patriarchy than the West. I wonder, therefore why is that? Conviction that female obedience should be automatic and not enforced by the corpun, maybe? Or maybe producents suppose male spankos will like to see two women more?
 
A brief historical note:
Studio Biederer was a French Art Deco photography studio run by brothers Jacques Biederer (b. 1887 - d. c. 1942) and Charles Biederer (b. 1892 - d. c. 1942) in Moravská Ostrava, now in the Czech Republic.
They emigrated to France before the First World War and set up their own studio in Paris.
Their photographs during the 1920s and 30s ranged from artistic nudes to sexual fetish studies including bondage, costumed role play, and erotic corporal punishment.
Being Jewish, they were arrested during the German occupation in 1942 and sent to the Auschwitz-Birkenau camp, from which they never returned.
Let's not forget them!

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1-Dudulus;
2-Duff;
3-Dumarchey Pierre (Pierre Mac Orlan, Jean Macorlan) (1882-1970)
Pierre Dumarchey (1882-1970) was a French author, songwriter and illustrator who contributed greatly to early 20th century French spanking literature. He was born in Péronne, France in 1882 and illustrated French magazines such as the French satire magazine Le Rire using the pseudonym Pierre Mac Orlan. He also started to write for these magazines.
Pierre Dumarchey wrote and illustrated erotic F/F and M/F flagellation novels such as Le Masochisme en Amérique (1905) for Librairie d'amateurs, La Comtesse au Fouet (1908) and Les Grandes Flagellées de l'Histoire (1909) for Jean Fort. Over the next few years he used many different pseudonyms: Pierre Mac Orlan, Pierre du Bourdel, Sadie Blackeyes, Pierre de Jusange, Doctor Fowler, Sadinet, Ludovic Riezer, Ludovic Riézer‎, Claude de Saint-Hieble (in L'Instrument des apothicaires, Jean Fort, 1920), Chevalier de X (in Georges: Femmes du monde et sang bleu, Liseux, 1908) and Jean Macorlan for the illustrations in Les Grandes Flagellées de l'Histoire (1909). Another of his many pseudonyms is, possibly, La Vrille (Le Journal d'une masseuse).
He moved to Saint-Cyr-sur-Morin, France, in 1927, where he lived with his wife until he died in 1970.
Pierre Dumarchey is also known as Georget
This illustration is from "Les Grandes Flagellées de l'Histoire (1909)";
4-Dumond Alain;
5-Dumoulin J. X. (Courbouleix Leon} (1887 - 1972)
Léon Courbouleix is another prolific French interwar illustrator about whom very little is known. The son of a squadron commander of the French gendarmerie, Courbouleix was born and grew up in Montpellier in southern France, and attended the École Nationale Supérieure des Beaux-Arts in Paris between 1911 and 1920.
In the late 1920s and early 30s he was friends with the author and publisher Fernand Mitton, whose publishing house, Art de l’Intermédiaire du Bibliophile, published three books illustrated by Courbouleix. After the demise of Mitton’s publishing venture in 1932 Léon Courbouleix went on to publish a number of erotic and semi-erotic titles on a subscription basis.
In the late 1930s Courbouleix wrote and illustrated two privately-printed limited-edition ‘memoires’ of the eponymous Suzon, Suzon au vacances and Le mariage de Suzon, an advanced style of writing and illustration which started a trend of similar erotic ‘diaries’ which continued well into the 50s.
This illustration is from "Le mariage de Suzon"





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1-Dudulus;
2-Duff;
3-Dumarchey Pierre (Pierre Mac Orlan, Jean Macorlan) (1882-1970)
Pierre Dumarchey (1882-1970) was a French author, songwriter and illustrator who contributed greatly to early 20th century French spanking literature. He was born in Péronne, France in 1882 and illustrated French magazines such as the French satire magazine Le Rire using the pseudonym Pierre Mac Orlan. He also started to write for these magazines.
Pierre Dumarchey wrote and illustrated erotic F/F and M/F flagellation novels such as Le Masochisme en Amérique (1905) for Librairie d'amateurs, La Comtesse au Fouet (1908) and Les Grandes Flagellées de l'Histoire (1909) for Jean Fort. Over the next few years he used many different pseudonyms: Pierre Mac Orlan, Pierre du Bourdel, Sadie Blackeyes, Pierre de Jusange, Doctor Fowler, Sadinet, Ludovic Riezer, Ludovic Riézer‎, Claude de Saint-Hieble (in L'Instrument des apothicaires, Jean Fort, 1920), Chevalier de X (in Georges: Femmes du monde et sang bleu, Liseux, 1908) and Jean Macorlan for the illustrations in Les Grandes Flagellées de l'Histoire (1909). Another of his many pseudonyms is, possibly, La Vrille (Le Journal d'une masseuse).
He moved to Saint-Cyr-sur-Morin, France, in 1927, where he lived with his wife until he died in 1970.
Pierre Dumarchey is also known as Georget
This illustration is from "Les Grandes Flagellées de l'Histoire (1909)";
4-Dumond Alain;
5-Dumoulin J. X. (Courbouleix Leon} (1887 - 1972)
Léon Courbouleix is another prolific French interwar illustrator about whom very little is known. The son of a squadron commander of the French gendarmerie, Courbouleix was born and grew up in Montpellier in southern France, and attended the École Nationale Supérieure des Beaux-Arts in Paris between 1911 and 1920.
In the late 1920s and early 30s he was friends with the author and publisher Fernand Mitton, whose publishing house, Art de l’Intermédiaire du Bibliophile, published three books illustrated by Courbouleix. After the demise of Mitton’s publishing venture in 1932 Léon Courbouleix went on to publish a number of erotic and semi-erotic titles on a subscription basis.
In the late 1930s Courbouleix wrote and illustrated two privately-printed limited-edition ‘memoires’ of the eponymous Suzon, Suzon au vacances and Le mariage de Suzon, an advanced style of writing and illustration which started a trend of similar erotic ‘diaries’ which continued well into the 50s.
This illustration is from "Le mariage de Suzon"





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Number 4 ( with the arab) the caption I think is.... ' I think that bottom can take 50 lashes from my whip'
 
"Painful Pleasures"
Translated from an anonymous French book and illustrated by Francis Heuber.
Enjoy!

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A small addition:

He illustrated the book Painful Pleasures (1931), an English translation of the French novel about the park "Fustigations vécues" (1907) by Jean de Villot, translated and edited by Walter J. Faisal. Painful Pleasures was republished in 1995 by Delectus Books.

Other works by this artist are unknown.
 
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