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Deleted member 16320
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mmm I love the way you've interpreted my looks Alex, thanks
Recently, Eulalia became superstar .... SJ, hasturan apod ...Is sexy!
So if I, too, one of my wishes, engage in some art like a executioner etc ...
mp5stab
Hair and Nails
Not just in this post right? But the one before that? And then one before that also? Alex has been on a tear! So many beautiful crucifixions!View attachment 513503
You tick all my boxes, Alex!
Beautiful girls, heels nailed to the side of the cross, looking at each other in despair - tick, tick, tick!
The girl on the center cross is awesome! Perfect body -- those tits!!!! If I concentrate I can almost see them slowing rising and falling as she struggles to breathe, or gently swaying -- her nipples moving in small circles -- as bolts of sheer, burning agony rush through her body as she moves ever so slightly on her cross.
Iconic depiction of a crucified woman. Well done sir!
Such a pity, but they only got what they deserved. Many good soldiers died putting down the rebellion.
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Cella
Spectator
Alex recently composed these three awesome images of me:
I used one for the latest version of my avatar because it so beautifully depicts me as I see myself. Alex is such an amazing talent!
I wanted to share them with all of you because they so perfectly illustrate my developing persona on this site: I am mulier damnata -- a condemned woman! I am innocent or guilty, virgin or whore, mother, daughter, wife, lover, friend, slave or free. But whatever I am, I am ultimately mulier damnata. Just another bitch on a cross, a crucified cunt. It is an exciting, thrilling fantasy for me. So much fun!
Look up at me. Watch me suffer.
I used one for the latest version of my avatar because it so beautifully depicts me as I see myself. Alex is such an amazing talent!
I wanted to share them with all of you because they so perfectly illustrate my developing persona on this site: I am mulier damnata -- a condemned woman! I am innocent or guilty, virgin or whore, mother, daughter, wife, lover, friend, slave or free. But whatever I am, I am ultimately mulier damnata. Just another bitch on a cross, a crucified cunt. It is an exciting, thrilling fantasy for me. So much fun!
Look up at me. Watch me suffer.
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IgnikaMarcus
Governor
Excellent work as always.
Cella
Spectator
Reading you post, phlebas, I was curious about this too. Why, indeed, would she insert the cornu inside her when it was not necessary. Is sitting with the cornu inserted in her vagina any more comfortable than just sitting on the narrow wooden seat that projects out from the stipes? Perhaps. Sure, the wooden seat would press very painfully into the soft flesh of her crotch, especially her labia, but why would she even want to go through all the agony of pulling herself up with her arms, positioning herself above the cornu, then slowly lowering herself so that it inserts fully into her vagina. Essentially, she choosing to violate herself in front of all the spectators for no obvious gain. The way she's been crucified makes it impossible to use her legs in any effective way to help raise her body up.
To make sense of this I downloaded all the pertinent images of this girl and looked at their file numbers. If I put all her images in order by file number, but not in the sequence posted, you can see she's not lowering herself onto the cornu, but, rather, raising her body up to remove the cornu from her vagina.
Let me show you. Her name is Briley.
Images up to #22 show whippings, marching, and the nailings of Anna and Emily
Briley's crucifixion starts with image 23. A sequence featuring her follows.
23. She's arrived at the crucifixion site, but appears to have fainted as they prepare to put her on the cross. You can see the wooden seat with the attached cornu on the cross.
24. Briley is fucked vaginally and 
25. in the ass.
26. She's ready to be nailed. The wooden seat and cornu are on her cross.
27. Briley's wrists are nailed. Notice the other executioner appears to be violating her vagina with his fingers? Why? Just for the hell of it because it's right there and her can, or perhaps he's preparing it, somehow, to receive the cornu. You can see the wood seat and cornu between her legs.There are no more images of Briley until you see her on her elevated cross in images 28, 29 and 32.
28. Briley is crucified (to the left of Emily (center). Her ass is not pressed against the stipes and is positioned to have the cornu inserted in her vagina. It is not shown how it got inserted, but since this is the next image in file number sequence I can only assume it was inserted in her by her executioners before or during the time her cross was raised.
29. The scene rotates to show another girl, Anna. Briley is now on the right side of the image. It's not obvious where her ass is but we can assume she is still sitting on the cornu.
32. Image 30 is nearly the same as 29 and 31 does not feature Briley. In image 32 we see Briley in frontal view with the cornu fully inserted up her vagina.OK so far? Go to my next post.
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morten sigurdson
Voivode of Wallachia
Very nice series. Amazing and beautiful!! A lots of likes .
morten sigurdson
Voivode of Wallachia
Nice series!! Thanks a lot.
morten sigurdson
Voivode of Wallachia
SUPER AMAZING series. Большое спасибо вам!!!!
Cella
Spectator
Image 32 showed a frontal of Briley sitting on the cornu up her vagina.
Images 33, 34, 35 and 36 feature Anna.
That next sequence, 37 to 41, return to feature Briley.
37. The cornu is firmly inserted up Briley's vagina.
38. You can see Briley's arms beginning to tense as she prepares to pull herself up off the inserted cornu.
39. Grimacing in agony as she pulls up with her arms against her nailed wrists, you can see the cornu about half way out of her vagina.
40. With a final, agonizing effort Briley has pulled her body off the cornu. Love those beautiful strong arms!
41. You see the bloody cornu in front of Briley now as she is sitting further back of the wood seat. Her ass is against the stipes and her arms are relaxed.Images 42 through 47 feature Anna and Emily.
48. Briley is still sitting on the wood seat with the cornu in front of her and her ass against the stipes. An executioner reaches up to fondle her breast.
49. Briley is offered water from a sponge. The cornu is still in front of her and her ass is against the stipes.
50. The final numbered image in the series focuses on Emily with Briley's cross in the background. But if you look closely it appears that Briley's ass is no longer against the stipes but has moved forward on the wood seat to where the cornu would be. Have the executioners moved Briley so that the cornu is reinserted, or did she do it herself for some reason? We don't know.All we know, from how the images are numbered, is that Briley is pulling her body off the cornu in the images showing it in her, not inserting it in herself. Because Alex did not post all the images in file number sequence, it is unclear what Briley is doing after her cross is raised unless you put the images of her in their correct file number order.
Please Alex, make some more images for this exciting series so we know what has happened between image 49 and 50!
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Marvelous analysis of the sequence, Marcella. I think you may be right, she has been violated with the cornu and with considerable physical effort lifts herself off it and rests on the sedile. The drinking picture is a great one, she takes a moment to accept what little mercy they offer her. With her ankles nailed in that appalling way her legs can offer very little support. Her body hangs forward, breasts prominent, as she sucks the sponge, water and blood running down her bare flesh. She has taken the cornu from inside herself, but now she sits wedged between it and the cross, it's hard phallic presence a constant reminder, as it presses on her stretched belly. How intimate. How terrifically humiliating.
Would she consider taking it inside again? Would she come to crave positive stimulation, however raw? Could she stand to have it fill her again, here in front of these people, thighs parted and limbs trembling?
The only problem with your sequence Marcella is that in 39 and 40 when she has raised herself, the cornu is clean, but in 41 and onwards, it is bloody.
Would she consider taking it inside again? Would she come to crave positive stimulation, however raw? Could she stand to have it fill her again, here in front of these people, thighs parted and limbs trembling?
The only problem with your sequence Marcella is that in 39 and 40 when she has raised herself, the cornu is clean, but in 41 and onwards, it is bloody.
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AlexArts
Soul of Cinder
I'm really flattered by this discusson. Thank you for your attention!
But explanation is much more simple.
No. 50 was made much more earlier than 37-41
I decided to add a cornu in the last moment...
old slave
FELIS RESPICIENS
Her hand movements and facial expressions all support your theory.
I like the concept of the cornu used when the 'crime' was sexual, and her ability to raise off it with supreme effort (is that why the feet were nailed like that, to deliberately make it more difficult?). Then her extreme frustration and humiliation when two strong men easily lift her back onto it.
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