Fox-on-Cross
Great-Cruxinquisitor
In a 2D film from 1880 we have the old-fashioned plane.
After 1926 with sound.
Already in Nazi Germany colour.
In a 3D film a pair of perspective glasses for an artificial space effect.
But in a 4D nowadays many extra's as vapour, smoke, smell, wind and storm, and last but not least vibrations in the cinema chair.
Such attributes could and should procure us a rather real presence by a crucifixion so that we completely faint.
When the hammers beat and the cries perforate us...
Messaline: go to work!
After 1926 with sound.
Already in Nazi Germany colour.
In a 3D film a pair of perspective glasses for an artificial space effect.
But in a 4D nowadays many extra's as vapour, smoke, smell, wind and storm, and last but not least vibrations in the cinema chair.
Such attributes could and should procure us a rather real presence by a crucifixion so that we completely faint.
When the hammers beat and the cries perforate us...
Messaline: go to work!