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Ellie - In Search of .............. A New Story with Illustrations by A L Fielden

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Davec5299

Magistrate
Introduction

This story is set in Yorkshire, England several centuries ago. It is not intended to describe a specific real-life time, specific real-life events, or specific real-life places. Most importantly, the characters are creations of my imagination, and are not designed to be depictions of real people, past, present or future. This is a work of fantasy.

Around the time that this story evolved in my brain and on my computer, I was binge watching the UK television series ‘Cracker’. It was topical at the time because of the sad passing of its star actor Robbie Coltrane. He played a Professor of Psychology who was assisting Greater Manchester Police Force in the 1990s, helping them crack murder cases, of which there seemed to be quite a large number! The series was created by Jimmy McGovern, a well-respected writer and producer from the north of England. McGovern is multi-award winning and known for writing gritty, insightful dramas, often based on his own experiences of life in working class areas of the north of England. Recurring themes in his writing include poverty, inequality, injustice and the abuse of power, with the roles of the Church, the Police, Local and National Governments and other influential institutions regularly portrayed in a poor light.

I have attempted to include some of those same themes, if you wish to look for them, albeit in a very different context, and without the great skill, attention to detail and multiple intertwining subplots of McGovern’s excellent works. Of course, these themes are prevalent in many stories about the crucifixion of slaves in Rome, the persecution of witches or the atrocities committed in times of conflict, so should not surprise anyone reading this story on this forum. The olde English Nursery Rhyme below is quite apt.

Ellie 0004 Rhyme.jpg
For those of you who are only interested in the ‘good bits’, please be patient as the story unfolds. If you wish, just wait until the whole thing is finished and pick them out. For me, the back story is important to help understand the influences, motivation and behaviours of the main characters.

I know that images draw members to posts rather than lots of words, and I understand why. I had never used GIMP until I wrote this story, but once I started I found it pretty addictive. So, having intended to find and create just a few relevant images I now find that there are well over 150 images to accompany the thirty thousand words of text. They are presented as screenshots from the imaginary film or TV mini-series of my imaginary story. Some are almost unaltered captures from movies or TV, when the image transfers well to the plot of this story, but most are heavily manipulated to better match the events depicted here, particularly in the later chapters. All the images have been saved so they are less than 400kb in size and I shall post no more than ten in a day. As these are my first feeble efforts using GIMP, please don’t judge them too harshly in comparison with many of the excellent manipulations posted elsewhere on the forum!

I hope that these images add to your experience of reading the story and may help you use your own imagination to visualise the action. The story is set well before electric lights were invented, and much happens after nightfall or in dark places so please accept that some of the images are not brightly lit! I have hoped to capture some of the atmosphere and emotion of the different scenes.

There are thirty short chapters to this story, and I will intend to post about one a day, though I may post two when they are very short, and I will have to split some chapters when they are lengthier or have a lot of images.

I used no ‘Artificial Intelligence’ (AI) programs to help write this story, save the spellchecker and grammar ‘correction’ features in Word, and whatever is behind the scenes in GIMP. The only AI in evidence will be my own rather over-excited ‘Animated Imagination’, and the only intelligence will be my own very limited brain power. I’m sure some typos will remain, for which I’m sorry, as my experience tells me that my brain dictates the text faster than my fingers can type, so words can get missed out or mistyped, or annoyingly mis-corrected. No matter how many times I proof-read my creations, my brain often reads what it knows should be there rather than what I’ve actually typed.

Finally, I really hope some readers derive some pleasure from this story, but if you don’t, please don’t worry or feel sorry for me. While feedback would be great, and positive reactions would make my day, I really enjoyed writing this story and making the images, and that’s enough for me!

To get things started, here’s the cover photo, to introduce the main character, Ellie. She’s in every scene. This is her story, and it will start to be told next week.

Ellie 0001 Cover.jpg
 
Ellie 0001 Cover.jpg
Mmmmhh .. Anna Friel.. yes please :babeando: ..Rochdale’s answer to Little Caprice :bdsm-heart:
Watch out Barb, you’re going all Northern, lass!
 
There is a young lass from Rochdale,
Very pretty, with skin soft and pale.
She makes mens' hearts flutter,
So they tremble and stutter,
And the girls too love chasing her tail.

P.S. Don't worry, the story itself is entirely free of limericks! :biggrin:
 
Our Barb as a Northern lass?
If only that came to pass.
Then for a bit,
"Ay up" would replace "Shit"
As I whipped her tight little ass.
I think my Scottish ancestors just rolled over in their graves. Let’s return this promising thread to its regular programming.
 
Interview with Ellie!

I’m delighted to advise that the actress who plays Ellie in the imaginary TV mini-series of my imaginary story has agreed to give a short imaginary interview to promote it. There are currently contract restrictions imposed by a major worldwide streaming service who have bought the rights to the mini-series, so unfortunately, I am unable to upload the video of the interview. We will have to make do with a few screenshots and a transcript.

The interviewer is a well-known UK daytime TV presenter, and she clearly has no specialist knowledge of the genre and undertakes the interview in the style typical of her profession.

Daytime TV Interviewer (looking down at her script):Hi there, Chuck! You’re looking gorgeous, fab. Loving the lippy!
Actress:Hi. Thanks. I’ve just come off set from filming a forties drama. Love the look!
Daytime TV Interviewer (looking down at her script):You really look so well!
Actress:You sound surprised. Did you expect to see me covered in bandages?
Daytime TV Interviewer (looking down at her script):Haha. Well, tell me about this new series. It’s set in Yorkshire a long time ago. You play Ellie, the title character. What’s she like?
Actress:Well. I’m always drawn to play strong women and Ellie is really one of the most resilient, determined women I’ve ever played. The fact she’s a lass from the North is an added attraction.
Daytime TV Interviewer (looking down at her script):She has a pretty tough time, doesn’t she? What did you think when you read the script?
Actress:She certainly does. She has a simple, happy life that very suddenly disintegrates around her. But rather than wallow in self-pity she decides to do something positive about it. There are a lot of interesting motifs in the story about the abuse of power, inequality etc that made me want to tell her story.
Daytime TV Interviewer (looking down at her script):Well, we can’t give too much away!
Actress:Certainly not! I guess some would call her actions courageous and others may think her foolhardy or even reckless. I tend to go with the former. I’m a great believer in promoting resilience and taking control of your own life.
Daytime TV Interviewer (looking down at her script):There are some scenes that looked to be quite, err, challenging. Of course, nudity is not new to you, in film, TV and even on stage, but how did you find filming those?
Actress:I’ve never shied away from nudity, as long as it’s necessary to the plot and not gratuitously contrived. It used to be just the director, cameraman and actors deciding how much to show and what camera angles to use. There could be some forthright discussions! Nowadays we have an intimacy co-ordinator who takes charge and makes sure we’re all comfortable.
Daytime TV Interviewer (looking down at her script):Well, you’ve certainly done your share of bath-tub scenes over the years!
Actress:I’m always the cleanest girl on set!
Daytime TV Interviewer (looking down at her script):You know, nevertheless, especially the scenes towards the end. They must have been hard. There’s certainly gonna have to be one of those warnings, you know, ‘Contains scenes that some viewers may find distressing’.
Actress:Ellie 0002 Interview.jpgWell, you know my mantra, ‘Do not go where the path may lead, go instead where there is no path and leave a trail.’
Daytime TV Interviewer (looking down at her script):That’s a brave philosophy.
Actress:Yes, and you need the support of your director, crew and other members of the cast. The director was excellent in the way he treated us. Sure, he was keen to get the best set design, camera angles, lighting and acting, but he was also very aware of our health and wellbeing. It can be very serious and intense when the camera’s rolling, but we can all hug each other and have a laugh and a joke between takes.
Daytime TV Interviewer (looking down at her script):I guess that’s important in any job.
Actress:Oh yes! When you’re filming, there’s a lot of waiting around, so I was able to put my dressing gown on and stretch my legs between takes, and drink my juice, and catch up with friends and family on my phone. It was also warmer on set than it looks on film, because of all the lights, you know. Still, yes it was tough, but I think the end product is well worth it.
Daytime TV Interviewer (looking down at her script):So, who came up with the ideas for those scenes?
Actress:Well, the writer A L Fielden wrote the story, and he also directed, so that was great. He had lots of ideas and pointed me to a few websites where I could do some research. I always like to do my own for a role. I find it helps me give a more intense and individual portrayal rather than being too formulaic. I looked at work by a guy called Quoom, who has studied the subject for many years, among others. I have to say it really opened my eyes. Some artists’ imaginations and their art is just awesome!!!!!
Daytime TV Interviewer (looking down at her script):Right. I bet that was errr, interesting research!
Actress:Ellie 0003 Interview.jpgYes. I particularly liked some pencil drawings signed by a guy, maybe a girl, called @montycrusto. You can get mugs and tee-shirts with his stuff on them and some of his works are hanging up in a café in Czechia. He is known as the ‘God-Emperor’ and writes the most corny limericks too, so he must have a good sense of humour.
Daytime TV Interviewer (looking down at her script):I guess that’s important too. So, did you have a stunt double for any of those scenes?
Actress:No, nor a body double. It’s all me! Just a bit of body makeup and the odd prosthetic. I like to do as much of the action myself as I can. I think it really helps me keep in the role.
Daytime TV Interviewer (looking down at her script):Did you get hurt at all filming those scenes?
Actress:Oh no! I always get a few bumps and bruises on set, and a few aches and pains, even when I’m doing a comedy, but nothing of any consequence. It’s not real, you know! The special effects team deserve an award. I’m always doing Pilates exercises to keep strong and supple, and of course the production was carbon-neutral so I busied myself between takes on the exercise bike or treadmill charging up the batteries for the lights and cameras. And there were no guns, thank God!
Daytime TV Interviewer (looking down at her script):Wow, yes, of course. Just fair wear and tear then?
Actress:Well, hopefully not the tear!
Daytime TV Interviewer (looking down at her script):Talking of awards, I think you should get one for such a wonderful performance. You really sold me the character of Ellie. I was rooting for her the whole time, and I really felt her pain.
Actress:Thanks, I always try and put a lot of energy and emotion into my acting, but I’m not sure it’s the kind of work that will do well at the mainstream awards.
Daytime TV Interviewer (looking down at her script):Maybe not, but I think you should at least get into this list: https://www.cruxforums.com/xf/threa...a-bdsm-torture-crucifixion-predicament.10219/
Actress:That would be nice!
Daytime TV Interviewer (looking down at her script):Well, thanks very much for your time. The story of Ellie is being serialised on Crux Forums during March and you can see this new mini-series on the usual streaming channels from 1st April. I can see you’re needed back on set now, Chuck. Best of luck with your forties drama. Maybe we can chat about that sometime.
Actress:Thank you. I’d love to.
 
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