I don't quite understand what that board is. Is it the same as the beam or are there two different pieces.
your attention to detail is so impressive Repertor!
![Big Grin :D :D](/xf/styles/default/xenforo/smilies/biggrin.png)
that's an unintended mystery, yes, one and the same, I just try to avoid repertition
![Wink ;) ;)](/xf/styles/default/xenforo/smilies/wink.png)
as I shall now demonstrate:
68
It’s a minute or two before Yasmin’s driven through the gate to emerge beside me. I’ve been made to kneel, bowed by the weight of the beam on my shoulders, to the right of the gate. As she staggers through I glance up and, although she looks desperate, strained and sweating under her burden and the whip that she’s much less used to than I am, she manages to flash a momentary smile, before she’s spun to turn left.
There’s a crowd, held back by barriers and Palace Guards in combat gear, it seems to be entirely of men, some Religious Police acting as jeer-leaders, but the atmosphere’s quite different from Shahidi Square when I was whip-stripped for the first time and the laid-back crowd of shoppers enjoying the evening sunshine saw me as an entertaining sideshow. Now the air’s heavy with tension, even if the men – well, a good many of them – are getting horny at the sight of a couple of naked females, they’re looking grim, even sullen. And, overhead, the constant buzzing, whirring and whistling of military aerial machinery, both manned and unmanned.
I’m made to stand with my back to the Palace wall a few metres along from the Gate Tower. A pair of cables dangle from a second floor window, stout hooks on these are quickly locked onto cleats on the top edge of my beam, I feel a sharp jerk tug at my bound shoulders, and my feet are lifted off the pavement, I’m hauled up and up, the winches hauling me must have arms that feed the cables a little way out from the wall as I’m swinging about freely, legs flailing in a vain attempt to keep steady, swaying from side to side, occasionally knocking back against the wall so the beam knocks my breath away and my bum’s grazed on the rough stone.
A minute or so and the hauling stops, the mechanism jerks so the beam, and me with it, are brought back against the wall. And that’s it, here I am, crucified – well, there’s no cross, but I’m hanging here in a T-shape, it makes little difference.
For a few seconds I’m just bewildered, my legs and body striving to locate themselves in space, my eyes glancing around terrified at this new, tree-top view of the world. The strain on my shoulders is hideous, although the cables are supporting me, the weight of my body is tugging at them cruelly. Soon my feet detect as narrow ridge of stonework, a decorative string course that runs across the wall between the floor-levels. It’s a bare couple of inches wide, I can’t rest my soles on it, but I reach it to press with my toes, and when I do I get some ease for my body.
So I sigh, take a few deep breaths, try to brace myself for the long, long ordeal to come. As long as I’m awake and have the strength, I’ll be able to hold this position. My legs are quite free, I soon find I can flex them in turn, pressing a sole against the rough sandstone while the toes of the other foot remain planted on the string-course. Moving my hips keeps my spine from stiffening, but any swaying or rotation is going to renew the strain on my shoulders and my rib-cage.
Something hits the wall beside me and shatters messily, moments later some soft, squelchy thing hits my abdomen – some boys have got bad eggs, rotten fruit, waste offal to fling at us, they at least are getting some fun, cheering gleefully when they score a hit on my naked target spots.
Dodging as best I can their stink-bomb missiles, I look over the space some forty feet below me – feeling a momentary sickness at the height, in my weakened state, vertigo’s unavoidable – it’s a wide street, more a long plaza, used as a market-place, but the stalls are bare now, the crowd’s packed among them. And the sense that it’s a herded crowd is reinforced by the presence of platoons of soldiers and squadrons of military vehicles parked at either end, with more at the narrow turnings and alleyways off the open area.
And across from where I am are tall buildings, shops and offices, these too showing little sign of normal business, but much of military presence, armed men stationed at upper windows, warlike equipment visible on the rooftops.
Raucous marching music is playing through loudspeakers. Suddenly it stops, and the evening Call to Prayer sounds out from the Mosque, I can just see one end of it a hundred yards or so to my right, where a road turns down the side of the Palace towards Shahidi Square. The entire crowd turns to the east, to my left – though I notice the watching soldiers don’t stir – there’s a group of grand buildings beyond that end of the market-place, I recognise from films we watched at the Academy of great state occasions when the Sheikh greeted foreign dignitaries or handed out honours and awards to loyal subjects. But the crucifixion of a couple of slave-sluts isn’t quite in that league.
All the same, when the prayers are finished, the crowd stands and its attention is focused on a window on the first floor of the Gate Tower, there’s a balcony, but no-one’s on it, I can’t see the window, nor can I see Yasmin who must be hanging against the wall like me on the other side of the Tower. I take another deep breath, relieved to be spared the attention of the fruit-flinging brats, already beginning to feel thirsty. It seems something ‘important’ is about to happen.