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Great writing, vivid imagery. I am by way of being a 'Roman realist', yet I love this story.
Thanks. And I do enjoy 'Carfulena Delia' and its realist approach a lot, though I could never write like that.

I'm aware the story here is quite amorphous, some characters don't even have proper names, or they're hardly used; for most of them you know nothing of what they look like, the imaginary map is full of white spaces. It's a bit like dumping a lot of archetypal characters into a big cauldron and stirring and throwing back every creature that emerges, until something comes out that says, crucify me...
 
I dislike this Gardener immensely. Beware those who have too clear a sense of purpose. Is the shadow truly evil, or simply feared because it shows things not really understood, makes people dream disquieting things, desire things they have been told they should not want? What does Anrirathu conceal and might it not be that the right person could find joy there, where the wrong person would be consumed by their demons. After all, it is said that man cannot look upon the face of God and live. I despise this Gardener.
 
I dislike this Gardener immensely. Beware those who have too clear a sense of purpose. Is the shadow truly evil, or simply feared because it shows things not really understood, makes people dream disquieting things, desire things they have been told they should not want? What does Anrirathu conceal and might it not be that the right person could find joy there, where the wrong person would be consumed by their demons. After all, it is said that man cannot look upon the face of God and live. I despise this Gardener.
The mark of a brilliant writer is to evoke strong feelings such as this about the characters.
 
I dislike this Gardener immensely. Beware those who have too clear a sense of purpose.
Actually she deserves that.
She is one who deliberately hardens her heart:
The Gardener had never seen it with someone so young, but with seeing it, she put all feelings for the girl away
when before that, she actually opposed some of the questionable 'beauty training' enforced upon the girl,
they'd even come to the Gardener and asked for things, she figured out it was something they wanted to drop in, so the girl's eyelids would stay wide and she couldn't squint anymore even if she wanted to. For once the Gardener didn't give them what they asked for.
The Gardener believes to know the origin of the Shadow,
that malicious Master had perished but his baleful spirit remained undeparted and had clotted into the stalking shadow
she might be right but ... how different is she really from a 'malicious Master?' And I do think she contributed considerably to the growth of that shadow.
Anyway the Gardener did her work on that poor girl during the 'years, as she grew to marriageable age' which can be a somewhat vulnerable time in the first place. 'Shadow-girl' was obviously unaware of those interventions and one can only guess at her desparate attempts to make sense of what was going on with the reactions of people around her... the King was a bit older, but it would have been a bit frustrating for him too; it seemed his experience with girls until that point was, due to misfortunes of fate, mostly marrying them, getting them pregnant and burying them; 'Shadow-girl' was around him for longer than all those previous marriages together had lasted, and became a torment for him.
So I guess the Gardener may have left behind 'broken hearts' not just in the sense of driving those two apart but also in damaging their trust in human relationships and their ability to enter into them. In that, she was making them more like herself.
In this story magic is real, but never shows up as wand-waving, fireballs and such, it's all about manipulating people's minds, and it's a very dangerous thing to do... easy though for those who don't care at all for 'collateral damage'...
 
The Cup of Sorrow

...the smell of that spicy hot drink. Just the smell of it and he’d be there again.

---


The priest wrote down his best description of that aroma, the spices it must contain, the consistency of that potion, and hoped someone from up North could recognize it, and that it could be prepared here, with whatever the kitchen had at hand.

He added that they should fetch the maid Mirasintsa to concoct it.
Anything she did in the kitchen always came out well. And she was from the North, as well.

There was no point in having Anrirathu herself try it. She would know what it was, but by all accounts her efforts were well-meant but hopeless when it came to matters of the hearth.

He rang the bell; the same boy who’d brought the milk for Anrirathu soon appeared and took his message.

“Mirasintsa! She is mixing alchemical liquids for us now, Father?” he asked with some mischief.
“With this description, should we not rather make a request of the Laboratory?”

He laughed.
“Get running, you rogue. If it does what I hope it does, then it is indeed an alchemical liquid.”
“And don’t distract her too much.” Boys were always trying to chat her up. Couldn’t blame them.

Today he’d dealt with a curse-burdened woman who had a face stolen by the devil, a voice of milk and honey, the hands of a murderess, and he thought, a heart of gold; and an age-bent crone who was a stealer of songs, with an eye of clear sight, a tongue of a snake and a heart of stone.

It would be a relief to talk to a pretty girl who had her feelings written right there on her face.

Mirasintsa was fiercely loyal still to her ‘Lady’; a serious challenge spoken against the integrity of her mistress would let an otherwise well-behaved soul lose her countenance quickly. The Priest liked that, because in unguarded words you could hear so much truth of the heart.

Otherwise she was quite easy to have around, and pleasant to talk to. The knotted mysteries he’d encountered today now needed to unravel in his mind. Mirasintsa too, held some secrets, some of which he’d already guessed, but her secrets were simply truths untold, and not yawning voids.

Somehow he was sure she would get that stuff brewed up right; until she came, he spent his time collecting the volumes he’d be studying for the rest of the night, probably till dawn.

He made another notice, informing that he wouldn’t be leading the Evening Ceremony. Sister Noiramas could do that just as well. Mirasintsa would take the note down when she went. He’d be staying here, and in the Library, until he had it all worked out.

Each one of the thick, old tomes went with a dusty ‘whump’ onto the desk.

The Demonologous Monologues. Yes he’d need that.

Of course he’d revisit the Meditations of Mardovant.

Two different volumes of the Shadowsayings, very valuable.

Especially the one that was copied out from a Northern rendition, the signs of their old language on the left, the translation on the right. That version contained many passages left unwritten elsewhere in the last two hundred years, for fear of the fury of the Outstampers.

Perhaps he would have to unlock the forbidden chamber in the Library, where poisonous writings were kept.

At that thought he heard the stairs leading up to his study creak again, as the third visitor of the day approached. Carrying the tray Mirasintsa was not as sprightly up the steps as usual, she pushed open the door with her elbow and entered.

“Father Aegarath. You have… asked for a jug of plorrick?”

“Ah yes. That’s what it’s called. Come here.”

“I’ll finish it right here. The spices should best go in fresh. I’ve done my best but we don’t have quite everything here.”

On the tray she had a jug with the base liquid, a cup, a bottle of spirit, mortar and pestle for grinding up her selection of spices. Finally she crumbled some rind into the liquid and added a generous helping of spirit. Then begins to stir and froth it up twirling a wooden spoon between the palms of her hands.

“Might I know, Father, what made you ask for it? I’d think no one would ever have heard of it outside the North.”

“Oh, when I was quite a young boy, I went with a trader and saw your harbors. I think it was the very latest craze then. It never fell out of fashion, did it?”

“Mmh. Yes Father, near everyone loves it. But it’s expensive. So there. It’s finished. May I ...”

“Mirasintsa, that’s ridiculous. You have only one cup there. You think I’ll let you prepare all this just to send you off without a sip? - Wait a moment, I’m sure I have a cup here somewhere...”

He rummages through the chaos of the study, causing minor avalanches of books here and there. All he finds is the one Anrirathu left behind, she took nothing with her when she left.

Why not, he thinks – the warm cup of trust; why should I not drink of the same cup.

Mirasintsa fills up that cup first, then the one she brought. With the vapor of the finished mixture rising into his nostrils he knows he was right, the memory returns; with more detail than he thought it had, and he knows he can now recall the entire journey. Anytime he wants to.

“Ahh, this is perfect.”

Mirasintsa drinks of hers and smiles shyly.

“Anrirathu has been telling of her condition. And speaking with her also made me remember my voyage to the North, and this … inspiring beverage.” He will not reveal any of Anrirathu’s confessions, but of course her name and the most simple truths of her should be known to all.

“So... finally... she coughs up a proper name”, says Mirasintsa with some disdain.

“Oh. Of course, you would have noticed. Why didn’t you say anything?”

“I didn’t… well, I just thought, everyone has the hardest time here saying Northern names anyway. People will call me something like ‘Meera’ and that doesn’t make any sense at all.”

“You people do have tongue-twisters sometimes.”

She laughs. “So, well, at first I thought they’d just shortened and messed up her name, but when they were saying that around her and she didn’t put them right; well that’s just not proper. It’s like saying, I’m hiding, you think you’ve got my name but really you have nothing. Nothing at all! It’s sneaky, everyone else gives you their name and you give them nothing in return. And she never talks anyway, not to me at least. She goes out of her way to…uh, go out of my way. Slips away when I come in, peeks through a door and stays outside if I’m in. Honestly Father I’m glad she keeps away. She scares me. Ghoul. Doesn’t like me, for no reason I can think of and I’ll say that’s reason enough for me to not like her right back. I’m sorry Father.”

“Well now we have her name. Anrirathu.”

“It’s not a very nice name. It sounds more like a secret - ...”, she stops mid-sentence.

“A secret what?”

“Oh. It’s… umm, it’s like an old tradition, that’s been coming back. My granny didn’t have one but my mommy did. They started bringing it back then. It’s… it’s a ceremony when you’re seven years old where you get a secret second name. It’s … you keep it in the bloodline. You can tell, but sometimes, well, even wife and husband wouldn’t know – their children would though. And you use names there that you don’t otherwise. They’re usually really old, mysterious, ambiguous, just like something that’s supposed to be secret. I… if it’s necessary, for the Order, I’ll tell mine. I’ll… confess.“

“It’s perfectly enough to have your honest name that you use every day. Think it over, if you want to, I will hear it, but it’s not required.”

He’d read of that custom somewhere but wasn’t aware it was still… or again… practiced. But that had been going on for a while. The fear of the Outstampers had waned, and the North was more powerful and confident than a hundred years ago. So they were bringing the old traditions back.

“But Anrirathu. It would be strange of her to give us nothing and then her secret name, wouldn’t it? She explained it with the circumstance of her birth.”

Mirasintsa listens with a gloomy face as he retells what Anrirathu had said about her naming. You really don’t want to hear about her at all, the Priest thinks.

“I do believe she is good at heart. “, he continues. ”I also do see that she almost shuns you, Mirasintsa; it may be that this has to do with your service for Tsilsne.”

“The Lady had nothing to do with whatever happened.”, she retorts quickly, “There’s just a lot of lies being told. Like that nonsense about dipping people in molten sulphur if they disagreed with her. Father, you wouldn’t ... believe the things she let people say right to her face. As long as they were being honest.”

The Chronicler had by now worked out pretty well what Tsilsne had and had not done. Too many people who had served her were now scattered far and wide for things to be kept secret. In some cases their stories all matched, but nobody had ever mentioned pouring molten sulphur over people’s faces, that was made up out of whole cloth.

“Rumors, I know. But you do understand, to some degree Tsilsne encouraged that?”

“The more people were afraid of her – the less battles she had to fight. The less people died. But she wasn’t like that at all, really.”

“I’m not judging her. That’s for the Gods. What I must say is, if she had simply walked up to our gates we would have taken her in and no one, no king, no army, would have dared reach in and harm her. We would have treated her as anyone else who comes to us, regardless even if all the worst rumors were true, which I know they aren’t. All can be purified.“

”Cleansing by fire, that is an illusion. It is just death. It is in living that the soul must be purified, so the Gods will not be tempted to tear it asunder when they receive it.”

Mirasintsa turns her face and is silent. The Priest knows that to this day she can’t fathom what drove Tsilsne to her last decision.

“The Meditations of Mardovant. Have you ever heard of that?”

“… it would be one of those books? No, I’ve never heard of it. Should I? I do think I’d remember if I’d seen it. I have a good memory for things, it comes with the work.”

Oh yes, he thought, get me this, get me that, what do you mean you don’t know…

She’s playing with her hair a bit which she wears open, very few of the girls do. It’s too short to do anything proper with, going just about to her chin. She’ll be thirty before her hair is anywhere close to what it was.

“Oh, the Meditations, they… are something of which I have reason to believe they were read in Tsilsne’s tent. But it doesn’t matter much.”

The idea of reading the Meditations to another person is quite provocative, thought the Priest.

Face the evil that lives in yourself’. That’s what it really is about. Reading them out loud makes it almost an accusation. The General would not read that to his Queen in front of just anyone,… but Anrirathu had been there. They allowed Anrirathu to witness moments where they sent out even the Queen’s favorite maid. Moments of darkest secrets. It would be interesting to know more about this General. It would seem he was not only a war-leader.

“I did not intend to do so, and it’s not part of your day, but… would you mind if I ask you a few more questions?”

“Of course not Father, I will answer anything” she says, but he sees the discomfort in her face; she knows the questions will be painful.

“What again were the very last words that… your Lady said to you? Before she sent you out.”

She draws a deep breath. It seems almost a relief to her that there’s no delay, it starts right were it hurts the most.

'Go now, run! No one who lingers any longer will leave unscathed',that is what she said.”

“You are absolutely sure you were the last person inside, apart from her?”

She wrinkles her brow. “Father… it was a castle. As castles go I think not the biggest but it could hold hundreds of people. A thousand would probably fit. But I don’t think there was anyone else. Not then.”

“It was maybe sixty people or so who went in. Knights, guards, us maids, a few other hands, the General, and … her. I didn’t count, but she sent the General and a few guards out for the … parley, and then she sent people out in groups, then it was just a dozen or so. Knights and maids and she sent them all out except me.”

“You were the one she wanted with her at the end.”

She looks down and blushes.

“There was no one in that group you didn’t know?”

“I pretty much knew all of the knights at least by name. I knew the captains but not all of the guards.”

“The women?”

“We all knew each other. Not that many of us there.”

“You are sure everyone left?”

“If someone had wanted to hide they could have. But she ordered them out.”

“Orders can be disobeyed. Or they can be meant for all but one.”

“Father, all the people who were there, they were loyal. That’s why they were there, and that’s why they left when she told them to.”

“Did you meet all of them again afterward? The women, especially?”

“It… Father, it was a mess. People were in total disarray, running around everywhere, and there were all these soldiers. I was just staying with people I trusted and so did the others. Those that I saw. I didn’t see all of them again. And I left pretty soon, on my own. I… I wasn’t thinking. I got into trouble right away. You know.”

“Well, it got you here.”

She goes quite red.

Change the subject. This girl goes one shade of red deeper and someone will see the glow, will shout from below, ‘Fire! Fire! Fire in the Tower!’ – But, someone could have gone missing. Someone who stayed behind, and lingered even longer than Mirasintsa. Someone who later would... emerge.

“It seems to me sometimes the key to understanding Tsilsne’s words is … to take them literally.”

She gives him a puzzled look , and thinks.

“It’s true in a way. Sometimes the Lady would say strange things but once you understood, it turned out they made sense, it worked out exactly as she said, word for word.”

Like “You will all be drowned in your own blood”, he thought. You wouldn’t expect her to mean it literally but she did. Or, “No one who lingers any longer will leave unscathed”. He had taken the words just as Mirasintsa was taking them, that no one else remained, that only Tsilsne had remained, and burned, and died.

The words would be just as true though, if someone had lingered even after Mirasintsa had fled. And that such a someone had fled alive, but her face was burned by devil-fire. She did not leave unscathed. And I wonder if that someone’s name was Anrirathu, and what task she had there.

“Mirasintsa, you told us that you turned back when the fire seemed to shrink for a moment. Just before the stonework of the fortress started to collapse.”

“Yes.”

“Why?”

“To get her out, of course!”

“Why would you try that?”

She’s quite outraged.

“Because she was everything to me. Because I loved her! Because believe me she was the most wonderful person to walk the earth. I would have done anything!”

“What did you think you would do?”

“Talk to her! Hold her! Whatever! Anything! She was everything to me! But she was human! People make ..., people fall into despair! She didn’t have to do that!”

She’s standing up now, accusing him.

“It’s not like I would have jumped into the fire after her!. I… I would have given my life to save her, but I would not have made myself a grave-gift. She never asked anyone to throw themselves away. Never! Never!”

“Mirasintsa. Yes you loved her, and I’m sure she deserved it, and returned it, in her way. But there is one thing you aren’t saying, and I’ll have to say it for you.”

“...What?”

Dumbfounded. She looks down at herself, sees her raised hands, realizes she’s stood up, and sits again. Hands in lap.

“The reason you went back.”

“It is because you did not believe, at that time, that she had thrown herself into the fire.”

”You would not go back just to watch her burn. You would go back because you were sure there was still time.”

“You saw her hesitate. She sent you away because she did not want you to see the moment of her doubt.”

And perhaps she did not want you to see something, … or someone, else.

“It was only when the walls started coming down that you lost all hope. Until then you believed she still lived, and that there was something left to do for her, if only you could reach her.”

Perhaps of all people still alive you are the one who knows her nature best.
And you firmly believed there was a point in going back.
That she had not gone into the fire.
She did not go, she did not have the will.


Mirasintsa had turned away, her face hidden in her hands, he could see from how it was working in her neck and throat that she was contorted, her tears silent until she threw back her head, her hands frozen where they were.
Letting out one long howl of anguish.

That’s how it ends when I talk to a pretty girl, thought the Priest, as he got up to comfort her.

As for you Tsilsne, indeed I cannot purport to judge you, but what speaks of your true nature?
The trail of blood you have drawn across the land.
Or the scars you have hewn into the souls of all who were close to you.


It will be best to keep Anrirathu and Mirasintsa very much apart.

Mirasintsa, the faithful servant of Tsilsne.
And you, Anrirathu.


I am beginning to understand.

It took all I learned today.

The twisted story told by the Gardener.

The spoken words of confession from Anrirathu.

The journey of her song, words unsaid but sent to me, the brief flickers of fear between remembered happiness.

And Mirasintsa’s moment of anguish.


I don’t know yet how you got there, Anrirathu.
But you were there.

And I think I know what you did.

I think I know from whence rose the Shadow that burned your face.


In the last moment…

did she beg you...
... beg you to cast her into the flames,...


.. or ...

...did she fight?
 
Anyway I'm beginning now to pull the threads back together.
Mirasintsa got lost for a while.
At this point I also have to deal with consistency. I've already found a minor blunder which I'll fix in the PDF version.
Here the thing to compare with would be Mirasintsa's memory of that fire,

the Lady had one foot on the balustrade, but hesitated, put it down again, and turned. She had a face like a terrified child. A glowing ember went into her hair and it started smoldering. She beat it away. Then she stopped and looked at her own hand in disbelief.

... she was gazing into color-blurs and emptiness and couldn't discern Mirasintsa's own expression, the contortions of her anguish.

The second time Mirasintsa turned she saw the Lady prone on the balustrade, clinging to it but ready to shift her weight and roll over. Her hair seemed to be melting. Mirasintsa ran then.

So it does look like the dear lady Tsilsne needed just a tiny bit of tender encouragement in that moment. Just a gentle little push maybe. The Priest figures she got it.
 
So it does look like the dear lady Tsilsne needed just a tiny bit of tender encouragement in that moment. Just a gentle little push maybe. The Priest figures she got it.


See a rodent figures she rolled with it but did not get the result expected according to the experimental hypothesis...doubly confusing as the whole thing was intended to be a process not an experiment but that is just my supposition on a Queen I believe to be in possession of superposition ;)
 
a Queen I believe to be in possession of superposition ;)
The Priest is going to try to nail her down. (umm that sounds like a spoiler!) what I mean is, arrive at a 'particle solution' for that, where she really is in one place and stays there. That superposition is really getting on people's nerves, exorcisms have already been called for,
The King is turning grim when feasts are something he seeks to escape, thought the Scribe. Perhaps Liuthanna had it right, and some curse of the Mad Queen was eating at his soul. Striking her name was only the most symbolic of exorcisms, but as if spellbound, he seemed unable to do it …
Of course that is all the Gardener's fault...
 
that captures very well the spirit of your story, Malins :)
It comes from a set of illustrations for Lord Dunsany's works, this is for the collection "A Dreamer's Tales", the drawing is titled 'The Soul of Andelsprutz', the story's called the 'Madness of Andelsprutz' -- so a mad soul, that is rather fitting.

'Andelsprutz' will bring a smile to many German-speaking readers because it's apparently made up to sound German or Austrian but has an effect more comical, than mystical, proud or deep. I won't be able to resist the temptation of putting that somewhere in the story ;)

There's quite a lot of those illustrations by Sidney Sime that fit the mood of 'Every Shadow' very well and I'll probably take a number of them. From another source, there are also the drawings of Virgil Finlay, a lot of space opera there, but also some interesting things on the topic of witchcraft, hauntings and possession. I might use a few of those too...
 
I confess Sidney Sime is quite new to me, and I like illustrations of that kind,
from the late 19th - early 20th centuries, I'll look out for his work.
If you hadn't named the artist, I'd have guessed Aubrey Beardsley,
it's rather in his style, but more complex.
 
I like illustrations of that kind, from the late 19th - early 20th centuries
That does happen to be an age of inspiration for me as well, although the story here is set in a more late-medieval stage. Some of the words of devilry are loosely based on late 19th century occultism. Beardsley, I think, would be too well known to abuse for my story, as the meaning and associations of his works would crush the story. On the other hand hardly anyone will have heard of Lord Dunsany's story of Andelsprutz, neither had I before stumbling across that picture.
 
A Red Cloak Draped Over the Black Post

One long howl of anguish. That’s how it ends when I talk to a pretty girl, thought the Priest, as he got up to comfort her.

---

Then Mirasintsa was holding on to her cup. She managed a trembling smile through her tears.

“I think I’m feeling better. It’s just… even here, sorry Father but, sometimes they treat me like I’m a murderess or something... Oh yes, they’ll have me, I can be purified, all that, but still I know what they’re thinking… Maidservant of the Mad Queen!”

“As if she was a monster. As if I served a monster. When I wandered off, away from the mountain, it… it wasn’t two hours. They asked me questions, they said you talk Northern, where are you from, what did you do, and it’s all of them asking, I mess it up, they pull it out of me, and it’s … right there it’s enough for them to take me on the spot and, oh Gods...”


Oh Gods indeed
, thought the Priest.
Your otherwise sunny spirit makes us forget what you’ve gone through.

The Chronicler, in his study of Tsilsne’s military formations, had pointed out how few of her men went through all seasons of fighting. They were frequently exchanged back to Iannistraie to help with the raising and training of new recruits. To pass on the experience and to guarantee that the army would recover quickly from losses. Preserving the discipline, maneuver and marching order was paramount. At any time a body of men was in training close to the size of the army in the field.

Tsilsne’s obsessive proclivity to provoke the decisive battle had become more understandable from the Chronicler’s writing. Go to war with knights and longbowmen, and lose the half of them, you’re well near finished if you have to fight again. It took far too long to grow them back. But as long as Tsilsne had her stunning victories to show for, and new recruits flocking to her banners, and the camps at Iannistraie unassailable behind the mountains, she would return with her pikemen and arquebusiers the next season, even if the one before had went badly. Which happened rarely, but it did; it had happened at the Bloodford, where she had been thrown back, but the autumn of the same year crossed the river and crushed the opposition.

It was a select few who went through all of it.

The high commanders, the personal guard, the most hardened men of blood-greed and fury…

... and the personal retinue of Tsilsne. A maid like Mirasintsa – she would not be placed near combat, but she always saw the aftermath, she went through the fear, and when things went bad, she would help with treating the wounded.

She went all the way, everywhere the Queen went.

Also, when things went bad, combat could come to her, and once it had.

Perhaps worse than that, she’d joined before the massacre and the war, as a maid at the palace. She had cared for Tsilsne’s twins, had sung to them and put their curly little heads to sleep, and then they were gone; chopped to pieces and cast into murky water; they had no graves to sleep in.

How could he forget that, she certainly never would, not one moment till her dying day.

“I do not believe you served a monster, Mirasintsa.”

“But Tsilsne has made it easy for her detractors. So intent on shocking the Gods, striking fear into the heart of her enemies, that indeed, many would think her capable of anything.”

“Thank you Father. And I know she did some cruel things, but it was only out of necessity. It was others who forced it on her. She always offered mercy but they would have none of it. It was they who insisted on evil. No one else stood up against them.”

But that’s what tyrants have said since the Dawntime to justify their deeds… ‘any act of mine that appears cruel was done only of necessity’.

“Just think of what happened with the executions...”, she continued, but saw the look on the Priest’s face, who thought, if there’s any one thing that made her seem like a monster it was those executions, so she said,

“… what she did with the death sentences. In the conquered lands. Any sentence had to go through her hands, had to get her sign of approval... and the rule was, if any baron or lord or count or kinglet ever carried out an execution without her sign, or handed in two sentences she found spurious… he would himself get the worst instrument he used on his condemned.”

“...she must have spent a lot of time studying death sentences then...”, the Priest threw in.

“Not at all. A town where a boy hangs for stealing a pewter spoon, a basket of apples, and a girl’s burned a witch for… well near anything. In she comes, and it stopped. Because they were afraid. Yes, its what you said Father – by then, they knew when she issued unusual decrees – take them literally.”

“But then, criminals could not go unpunished, could they?”

“The barons would hand in sentences for red-handed murder figuring that couldn’t be wrong and it wasn’t. Highway robbery too. Then they’d do ‘heretics’ and half of those she struck down. And she’d say, now they’ll be thinking. They’ll be broken on the wheel if they send two unjustified sentences... is that… two in a row, or two at all ever? Pretty much all but one didn’t want to find out. So there you see, and all the common folk saw it, that she was a blessing for the world.”

“She set out to drown monsters in their own blood”, said the priest.

”I understand the beginning of it but it seems to me, she ran out of monsters but didn’t stop the drowning. The battle outside of Verdesgord. Eighteen hundred men of the Middlelands who did no more than follow their kings in honor. A good five hundred of her own. Which monster was vanquished there, for what good. For nothing it seems.”

“Father: they wanted to crucify her.”

“She could have taken it merely as an insult. The raving of the impotent. She could have shrugged it off. Laughed it off. How exactly would the Kings of the Middlelands ever come through the mountains and take her in Iannistraie or even Belquemer? But she came here, as if to taunt them, to spite their face. For the sake of pure denial. Emplaced her battery on the Hill of the Last Sigh. Where they raise crosses.”

“Crucify her. That’s what they wanted. The thought did not let her rest.”

“The thought? Mirasintsa, they called me to Verdesgord town when the battle drew near. There would be need of Priests of all kinds. I saw it from the tower. And yes, you came close to the very worst, at the hands of Baltorg Bristlebeard. Both of us know the battle was much closer than people make believe. Just before the rout began, it was her men taking higher losses, and it looked it would turn against her. She took tremendous risk, and many had to die. All that … just for … restless thoughts?“

”Were her thoughts at rest afterward? “, he continued, ”...did the battle give her peace of mind… it seems to me, it did not.”

”...are her thoughts at rest even now?”

“… what do you mean, Father?” she asks with a very small voice.

“The dreams. Visitations. One way or another they have to do with her. In some world, her thoughts do not rest, and they seep back into ours.”

“I have not suffered any… visitations, Father. Again I think it’s just… people talking. Putting the blame somewhere. Of course I see the Lady in my dreams. How could I not. I miss her. I never stop thinking if there’s anything I could have done – But I’m not calling that visitations and pretending my dreams are someone else’s fault. I mean, now it’s other people having restless thoughts, but it’s her fault, even when she’s... gone?”

“Those apparitions are widespread. So you do not believe them to have their origin in spirits, magic, the wisps of Tsilsne’s witchcraft?”

“No, Father… I don’t think about it that way.”

“Not at all,” she said with a darkening voice, and got up, and made her decision.

Out the same window where Anrirathu stood earlier, she saw the posts, in their rows, four - three – two, the triangle ending with the last one, the Black Post.

The one that was never cleaned of blood, while the memory of those punished there was cleaned from all records.
The post for heretics.
Where their bodies were torn asunder, so that they might recant in their last moments, and perhaps the Gods would not need to tear their souls asunder when they received them.
She’d learned about that.

“What I think is she changed things, like stopping those executions. And some people don’t like that and blame her for all sorts of things… she taught a lot of kings and lords about consequences and they can’t really go back, they don’t dare,...”

”Isn’t that something … the ... 'the Gods' ought to do have done…, Father?”

She fixed her eyes on the last post.

“Gods.”

It’s going to come out. Maybe after breaking down and crying like that, it’s that she just doesn’t care, she’s found a kind of reckless courage.
And she’s with the High Priest.
When else, where else, than here and now?

“Gods.”

… that’s just something to say.
Usually, when something bad happens.
It’s not anything to believe in.

She wasn't afraid of big or scholarly words.
She didn't use them herself all the time but she got along with them.
Almost eight years serving the Lady, you'd get used to big words.

So when they said things like 'Enigma of the Absolute' it didn't throw her off. That was just the big way of saying that at the end of all questions and answers they came up to an unanswerable one. Or maybe more, like an answer that was given without a question, something that happened for no reason but was the beginning of all, a start from nothing.

Or when they said that the walls of the ceremonial hall had been built to withstand the Rage of the Iconoclasts, just a big word for those people who destroyed paintings and carvings of holy things because they thought you shouldn't make any of holy things. She did like the carvings but ‘Holy’ just meant a lot of people sat down in front of them and prayed.

And so she probably understood what she'd heard of Doctrine better than they thought.
That of course wasn't a problem.
What was a problem was that she didn't believe.
None of the Doctrine and none of the Gods, not those of any temple.

Yes, she'd been there, at the ceremony, in front of what they called the Divinunity, another big word that just meant all Gods rolled into one, and they raised the heavy black curtain with the golden border and there were the familiar Seven behind the One. And they raised a black curtain again and there were forty-nine, and a curtain again, and three-hundred forty-three (to progress you'd need to know all their names and characters), and a curtain again, and now it wasn't carved figures anymore because twentyfour-hundred and one were too many, it was a great canvas… and then the last curtain, after snuffing the torches, and there was the great stone wall of the chamber of ceremony – they raised the last curtain only when the sun was right and she'd been lucky to see it – the wall with a single tiny hole and a shaft of light coming in. And they all moved to the wall and sat silently, their backs to the cold rough masonry under the opening and looked at the far wall then, and there they lowered the curtain instead of raising one, and it was white instead of black, and then, when you waited for your eyes awhile you could see the world as it was outside, all of it streaming in or out through that tiny hole, … only it was upside down. And with the music to it, the choir and the tromba-marina, it was awe-inspiring for sure but... she didn't believe in any of the Gods that were supposed to go with it.

Not the one and not the many.
They were just carved from wood.
Dead wood.
All dead, dead as driftwood.

She felt the mystery and the trembling inside and how they said all came from one and went back to it, and the beginning of the world was an infinity of blackness with a single point of light at its center and then the whole world came flowing out from it. But she couldn't believe in the gods to go with.

A little bit it had to do with serving the Lady because she'd shown them many mysteries and explained some but not all; she often enjoyed puzzling them and then revealing how it was just smoke and mirrors.

But most of all it had to do with the cruelty thrown at her – at the Lady – and there wasn’t a God from anywhere that stood up against that evil. She had to do it all herself. And she’d done that, and tried to stay good with it. And there wasn’t anything else. You’d cling to those you loved, otherwise you were alone in the world, alone with the cruelty and the shadows, but the ones you loved would be torn away. And so to be honest if Mirasintsa worshiped anything or anyone at all it would have been the Lady Tsilsne.

Mirasintsa didn't even know if she believed in the old Gods of her own people anymore, or even the Fountain of Renewal, though it would be nice to know it waited on some unspoiled coast and someone would guide you up from the desolation.

But they had actually found the Distant Shore with the tall-ships, even before she’d been born. And they said it was just endless forests and meadows and strange people who’d sometimes hurl spears or shoot arrows. No Fountain anywhere. Unspoiled it did seem, and enough wood to build all the ships the North could ever want, but no Fountain.

She knew what the scholarly word for people like her was.

Atheist, for not believing in the real Gods, and, Heretic, for worshiping a false god, a woman of flesh and blood as if she were a Goddess instead.

And that was what she told him, told it to the High Priest in his very own study in the tower, though she had his back to him as she confessed, because she was looking out, she looking forward, to the post, and then it was out.

She didn’t believe in a thing at all anymore, least of all the Gods, not much in witchcraft, a little perhaps in the devils, but she felt that was just what you called people when they acted in exactly that way that made you realize there were no Gods. There was only one she’d worshiped.

They’d have to take her now.
Take her to the Black Post.
The one that they never cleaned of old blood.
It would be painted afresh today, it would wear a bright new coat.

Strip the clothes from her, strip the skin from her, rip the ribs from her, because she was an atheist and a heretic on top of that.

They’d be using the ghastly whips, the ones with thorns and nails and lead weights, they’d bring in Those Who Rend the Flesh.
She’d scream her soul out, they’d whip her to the bone and right past that until they opened her lungs and she went with a red-frothing hiss.
A carcass to cast into the flesh-pit.

She’d drape her red cloak over the Black Post but she would find rest for her thoughts.

And if there was anything at all,
anything other than the earth, the dirty crumbs of suffering,
... then maybe she’d be where her Goddess was.
 
If you just subtract the arena, maybe this is the beginning of what Mirasintsa expects for herself.
Maybe that's just her fears and fantasies running away with her.
Due to her prior conditioning.
As in, always take drastic threats literally.
View attachment 350912
taken from here :
Due to real life interfering I just caught up with your story. Besides extremely well written I am emotionally exhausted reading it- a high compliment!!!

I applaud and bow to you!

Tree
 
Mirasintsa looks down, tearing her eyes from the Black Post for a moment.
Seams in the floorboards tell her she’s standing on a trap-door.
Just like in the stage-plays, she thinks.
When the snake is finally unmasked, the one evil soul among the characters, the liar and deceiver who’s responsible for all the turmoil between them.
Then that devil gets dropped from the stage right to the underworld while everyone roars and cheers with approval.

He’ll pull a lever and dump my worthless person from his presence.
But then again, that same part of her that doubts the gods also reminds her where the hinges are and that this hatch will open upwards, not down, and therefore won’t be the means of her disposal.

As the Priest steps up to her from behind, she looks out the window again, upon that post.
His eyes follow to where hers are fixed, reading what are her fears, … and somewhere in the turmoil of the heart, perhaps her desires.

Poor thing.
Who instilled such thoughts in you? You really expect us to rip you to shreds over this?
For your despair of the Gods, your devotion to your mistress? By now I can guess well enough – how, with what, and where you will have worshiped when you knelt before your ‘Goddess’; it’s not this the Edicts speak of as Abomination.


He orders her to remove her shift.
She isn’t wearing the usual novice’s habit, but the soft white garment that the Sisters hand out to those of their charges who’ve recently underwent a purification.
The tender, light fabric will chafe much less on the weals that cover her.
She winces a little as she pulls it over her head.
Sore, whip-marked skin stretching.

She’s well striped but the lashing has drawn blood in only a few spots.
The white cloth of the purified should not soak up too much red over the course of a day, that would be the sign of an unskilled hand at work – the ritual’s intent is to give guidance and build strength, not inflict despair and dejection … nor to deliver wanton pleasure either, for that matter, he thinks.

He turns, on the desk there’s still the tray she brought up.
The wooden spoon she used to stir up her concoction.
Quick, sharp smacks to her buttocks release squeals and bring her back to the instant of the world.
The here and now of a much lesser, but very present pain conquering her fevered imagination of flesh-rending sacrifice.
Placing her hands against the wall on either side of the window, trembling, she offers herself for whatever is to follow.

Am I seeing those of your qualities that made you Tsilsne’s favorite among her maidservants?

He sees the spiked chain of the cilice around her upper thigh; it is drawn far too tight.
In fact there should be no such thing on her at all; its use is earned with the initiation.
It’s not for the novice.

Sister Noiramas let you have this, you say? The craving for pain coursing through your body, and the seeking of spiritual clarity, are two quite different things. She should know.

He has already written a notice instructing Sister Noiramas to lead the evening ceremony.
In exchange he would take the proper guidance of this confused soul into his hands.

With a sigh, he crouches to inspect the misapplied instrument and the damage it’s done. The hot scent of her arousal in his face. He opens the chain, and has to pull the inward-pointing tines out of her thigh one by one. With each barb drawn out, pulling soft skin with it, a shudder runs through her. Rings of purple around each puncture, some slowly filling out with a crimson bead. Applied properly, it is not meant to penetrate. It should be a constant mind-focusing presence, not a torment.

“I shall have to take a much more... personal interest in your purification and your penance. It will not be something for you to zealously throw yourself into.”

“I gladly accept whatever I have earned for myself”, she answers expectantly.

“I honestly have no idea whatsoever what to do with you, Mirasintsa”, he lies – as there’s a very firm intent rising with him, while in her mind the cauldron of fearful desires boils over. She is eager against him, clenching most deliciously, her hands on the wall, her face mushed against the segment of glass pane in the window, leaving a trail of saliva, as he thrusts deep inside her. Her hands flat against the wall, then pounding fists, then digging in, into crumbly mortar between the stones, then scratching and bending and breaking her nails over the stones. Nothings froth muttering out of her mouth, out of a thousand imaginations. Just before he finishes, he thinks he hears her begging him to heave her out the window when he’s done. Defenestration, he has to regret, isn’t a sanctioned practice under the Doctrine, though a war of beliefs started like that once. Her own moment kills those meaningless words and leaves her weak-kneed and gasping.


Mirasintsa’s heart, afterward, is pounding fast and very alive, but still quite godless.

If it dared, it would like to ask, whether this had been … a penance, a purification, or… a Priest’s personal interest.


The Priest himself, as thought returns, considers,
Did you not say just shortly that you would not throw yourself away?
But it’s what you asked me to do with you.
And isn’t that what she did to you?
The Lady of your adoration, as the battle raged, she left you undefended for the enemy to take.
Knowing she’d discard you, was that what raised her to Goddess for you?
 
I see other people are somewhat speechless as well. You draw us in, subtly erotic and almost meditative, arousing as would a tender lover - I want to experience the story, or at least feel more than that I am simply passively reading it. It insinuates itself into my mind.
 
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