Part 4
I'm attached. It is pulled upright by using a series of pulleys and a hand-cranked winch. The top of the cross slowly rises off its supports and the foot dips down to rest on the floor. I'm not exactly sure why but this is the one part of the entire scene that makes me very nervous. As the cross slowly rises the crossbeam is lifted free of the blocks and begins to wobble from side to side. My body begins to slide downward. I lick my lips and try to swallow but my mouth is drier than chalk dust. My arms shake and my legs tremble as I try to press my body back into the wood. It is as if I hope to find some safety in the embrace of my cross.
The winch turns and the cross continues to rise. My weight begins to transfer from my back to my feet and I cling to the handles trying to keep myself steady on the shifting wood. Soon I feel the wooden cornu firmly planted between my legs and the cross is completely upright. In fact the cross is swinging free as the entire weight is held aloft on the ropes and chains attached to the upright. The cross seems to sway forward and backward as the men line it up with its slot in the stage. The hand crank reverses and the cross slowly descends a full 18 inches into the aperture that has been built into the stage, half of which is a metal jacketed opening in the cement floor beneath the stage.
My cross is planted; I'm trapped, as ensnared as any ancient prisoner crucified and displayed before a lustful crowd. The beginnings of panic flicker in my head and I nurture them. I begin to test the strength of my bonds. I rise up on my legs pushing forcefully against the footrests. I throw my body's weight twisting to the left then to the right. The cross vibrates like a straining lover but doesn't sway. I lower myself gingerly onto the dildo allowing it to bear most of my weight. I raise and lower my hips trying to find a less uncomfortable position but in the end must hold myself up with arms and legs. I slide all the way back pressing my back hard against the upright. My breath comes in ragged gasps. I try to close my knees but my feet are splayed and my bound ankles are held tight against the upright so I lack the flexibility to bring my knees together.
The cross is a male instrument. It holds one open, presses into your flesh, proudly displays its captive trophy. The erect cornu is of course only too phallic , In its truest and deadliest form, however, it was about opening and penetrating flesh. The cross is rarely gentle with its lovers.
With a sigh I slide on the cornu slipping in my pussy . My legs fold and my arms support most of my weight. In this position I seem to be kneeling in mid air but still my legs are splayed wide and I still cannot close my knees. The cornu is pressing deep inside me. I can only maintain this position for a few moments then I raise myself up. The spectators murmur impatiently, they want to touch.
To be continue